Okay! Just checking. Not one of my favourite queen tracks.
No, nor mine, to be honest.
But exceedingly apt in the circumstances.
Okay! Just checking. Not one of my favourite queen tracks.
Agreed. There were so many scooters about earlier. Obviously the preferred way to get around.No, nor mine, to be honest.
But exceedingly apt in the circumstances.
Agreed. There were so many scooters about earlier. Obviously the preferred way to get around.
Who wants to live forever all day long for me.Yes, you see that in Italy, as well. (Scooters).
Re Queen, Who Wants To Live Forever, The Show Must Go On and the timeless Bohemian Rhapsody would probably fall into my top three; they would certainly make my top five.
Who wants to live forever all day long for me.
But I also like it’s a kind of Magic, one vision and Bohemian rhapsody.
Of all songs ever for me. Definitely my funeral song!Yes, agreed.
Who Wants To Live Forever is probably my personal favourite of all of their songs.
Of all songs ever for me. Definitely my funeral song!
Well assuming anyone is there to listen!Perfect in such a context, agreed.
Well assuming anyone is there to listen!
Says the man currently on vacation with his mates in Barcelona....Well assuming anyone is there to listen!
Rounded up ECM's video for a promo version of the Bom Dia Rio track from that Blue Maqams album, provided along with some notes about the players, and now I'm skipping my usual Apple Music phase and heading straight for the CD purchase... thanks for that post.
[parts of the ECM promo video were shot in Paris and at l'IMA (l'institut du monde arabe) in the Latin Quarter there.]
From ECM's notes: Recorded in New York’s Avatar Studios in May 2017 and produced by Manfred Eicher, Blue Maqams brings Tunisian oud master Anouar Brahem together with three brilliant improvisers. For Anouar Brahem and Dave Holland the album marks a reunion: they first collaborated 20 years ago on the very widely-acclaimed Thimar album. Brahem meets Jack DeJohnette for the first time here, but Holland and DeJohnette have been frequent musical partners over the last half-century beginning with ground-breaking work with Miles Davis – their collaborations are legendary. British pianist Django Bates also rises superbly to the challenge of Brahem’s compositions. And Anouar in turn is inspired to some of his most outgoing playing. Blue Maqams is a highlight of ECM’s autumn season. Live appearances by the quartet will follow in 2018.
I also like his album Le pas du chat noir, in which he performs as part of a trio: oud, piano, and accordion.