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Some suites of piano music by Robert Schumann this morning, performed by Martha Argerich, Maria-João Pires, Vladimir Horowitz. Just one performance of the Waldszenen, two the Kreisleriana, all three artists the Kinderszenen.


Schumann - Argerich.jpg


Schumann - Horowitz.jpg


Schumann - Pires.jpg


 
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Having worn those pianos out... moving on to some jazz before supper.

Brazilian jazz pianist, vocalist and composer Eliane Elias, live in Basel in 2010, here seguing from Desafinado through So Danço Samba, with nice solos.

Rubens de La Corte on guitar
Marc Johnson on bass (he is Elias' husband, formerly the last bassist for Bill Evans)
Rafael Barata on drums


 
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You know what really pisses me off? No? I'll tell you! It's when you have barely a scant memory of a lyric of a song, and don't know who sang it or when the song was released, and it's stuck back in the cobwebs of your mind...

.. then when looking for another completely different song from another artist, you stumble along another artist, in then see that they were the ones that wrote and released that song that was that scant memory... and then in listening to that song, you realize how damned good it is and wonder why the hell you overlooked that group for so long!

That's what just happened with me when listening to a set of Yacht Rock/soft rock songs, in Christopher Cross, which then finally led with a hugely underrated band that you all know as The Alan Parsons Project. You may know them for Eye in the Sky, which makes perfect fodder for yacht rock, but you may better know them for the Jock Jam that is known as Sirius. Trust me, if you've ever seen the team introduction to any Michael Jordan-era Chicago Bulls game, you've heard it.

Anywho, back to my point. what is on constant rotation is this gem, called Don't Answer Me. It's timeless for 5 major reasons:
  1. Do the chords sound familiar? They should; the Wham song Last Christmas and Soul Asylum's Runaway Train are the same exact chord progression.
  2. Wall of Sound? Phil Specter, eat your heart out!!
  3. Dick Tracy pop art animation in a video. This came out in 1984, and predates a-ha's Take On Me and Dire Straits' Money For Nothing.
  4. Harmonies that the Beach Boys and America would say "damn, that's harmony!!"
  5. Alan Parsons... yes, the same Alan Parsons that was the sound engineer for Pink Floyd's Dark Side of the Moon album. so suffice to say that he knows his stuff.
Anyway, I heard this, had to listen again with the volume up to catch the lushness of the production, and then the volume down to hear each note in the melody and harmonies. Really good. Anyway, enjoy, and don't be afraid to turn this one up.


BL.
 
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Paul Kelly - Before Too Long
Ozzie folk/rock/country artist, sometimes referred to as Australia's Bob Dylan. Great 'echoing' guitar...

Good driving/cruising song too.

 
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Paul Kelly - Before Too Long
Ozzie folk/rock/country artist, sometimes referred to as Australia's Bob Dylan. Great 'echoing' guitar...

Good driving/cruising song too.


Good choice. Saw him at the Sydney Opera House and the Melbourne Cricket Ground some 23 years ago. He's a good cross between a Leonard Cohen, Dylan, and James Taylor as far as folk goes.

BL.
 
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Some Austin Lucas tonight. I really like this version with just him in the backseat of a car playing the guitar and singing the song. The motor of the car (I could just say "the growling of the V8" but I'd probably embarrass myself so I won't) adds a nice touch to the song. On the other hand the version on the record features a dog barking, so I'm kind of torn on which one I actually prefer.

Really great song, album and artist.


Side note, the older I get, the more I'm drawn to these folky, country "projects" of guys who were originally or still are in punk/rock bands. Although I still obviously like punk, rock, metal, and the mixed up messes made from all of them, Austin Lucas, Greg Graffin and f. ex. Chuck Ragan really deliver with their singer songwriter type of stuff.
 
Some of you will thank me. Some of you will not. Some of you may consider the move to Norway. If you do, please, oh please sublet out the studio section to me! :D


BL.
 
This mornings playlist was a rocker, for the most part, and resulted in high volumes in my SUV. Have a listen!




 
Cold Chisel - Forever Now
Another Aussie throwback, this one from 1982. The vocals sound very “Sting”.

It’s so weird; never really got “into” this band but this tune is just so familiar sounding that it takes me back.
 
You know what really pisses me off? No? I'll tell you! It's when you have barely a scant memory of a lyric of a song, and don't know who sang it or when the song was released, and it's stuck back in the cobwebs of your mind...

.. then when looking for another completely different song from another artist, you stumble along another artist, in then see that they were the ones that wrote and released that song that was that scant memory... and then in listening to that song, you realize how damned good it is and wonder why the hell you overlooked that group for so long!

That's what just happened with me when listening to a set of Yacht Rock/soft rock songs, in Christopher Cross, which then finally led with a hugely underrated band that you all know as The Alan Parsons Project. You may know them for Eye in the Sky, which makes perfect fodder for yacht rock, but you may better know them for the Jock Jam that is known as Sirius. Trust me, if you've ever seen the team introduction to any Michael Jordan-era Chicago Bulls game, you've heard it.

Anywho, back to my point. what is on constant rotation is this gem, called Don't Answer Me. It's timeless for 5 major reasons:
  1. Do the chords sound familiar? They should; the Wham song Last Christmas and Soul Asylum's Runaway Train are the same exact chord progression.
  2. Wall of Sound? Phil Specter, eat your heart out!!
  3. Dick Tracy pop art animation in a video. This came out in 1984, and predates a-ha's Take On Me and Dire Straits' Money For Nothing.
  4. Harmonies that the Beach Boys and America would say "damn, that's harmony!!"
  5. Alan Parsons... yes, the same Alan Parsons that was the sound engineer for Pink Floyd's Dark Side of the Moon album. so suffice to say that he knows his stuff.
Anyway, I heard this, had to listen again with the volume up to catch the lushness of the production, and then the volume down to hear each note in the melody and harmonies. Really good. Anyway, enjoy, and don't be afraid to turn this one up.


BL.

yup.

I've always loved this song and video.
 
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