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Mozart's Piano Concerto #17 G Major, K.453 / Alfred Brendel, Sir Charles Mackerras / Scottish Chamber Orchestra. I'm a big fan of Alfred Brendel and of this work, so have assorted recordings of it. This one's on an album that also has the K.414 in A.

cover art Brendel Mackerras Mozart K453.jpg


The 17th piano concerto has an amusing association to an entry in the Mozart's expense diary for 27 May 1784, when he had acquired a pet starling. The composer had only completed that concerto six weeks prior, and the work had yet to have a first official performance. The starling had either somehow heard bits of the work or Mozart whistled some of it to the bird while in the shop where he bought it.

Either way, the bird in its own singing then so well imitated the opening bars of the third movement of the K.453 concerto that Mozart transcribed the performance into his notes for that day, along with the comment "that was beautiful!" and the fact that he shelled out 34 kreutzers to buy the starling. Per the transcription Mozart put into his diary, the bird only made two mistakes, one in adherence to beat at close of a measure, and one of intonation in the following bar where it sang a couple of G# instead of G.

Starlings are in fact good vocal mimics of whatever they hear, and much like catbirds readily imitate any ambient sounds in their accustomed habitat and embed the results in their own songs. Like humans, starlings can recognize each other as individuals by how they vocalize. Today some countries prohibit their captivity as pets whether or not they are also officially regarded as pests. Despite their usefulness in studies of human speech development and in reduction of crop-harming insect grubs, starlings themselves damage crops, and in flocks can endanger jet aircraft.


https://en.wikipedia.org/wiki/Mozart's_starling

https://news.uchicago.edu/story/researchers-have-much-learn-about-human-language-studying-animals
 
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After some miscellaneous playlists while attending to some chores, back on a roll with Mozart and pianist Alfred Brendel, this time with Sir Neville Marriner conducting Academy of St. Martin in the Fields.

Currently up is the 20th Piano Concerto, in D minor, K.466. A weirdly confusing album cover with "1" and "2" and the word "duo" plastered all over it, plus images of 2 discs... boils down to this: It is a 2-CD package but happens to be volume 1 of two sets of the composer's piano concertos that at least this label has singled out as greater than some of the ones neither set 1 nor 2 includes? Okay then! And no matter, since if one's favorite Mozart as performed by Brendel is not here, Vox has recordings of all of them.

EDIT: I had this tagged as K.486 initially. Hat tip to @Scepticalscribe for her sharp eyes!

Mozart : Brendel : Marriner Decca-2 pcons & rondos.jpg
 
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Certainly better than mix tapes which I grew up with!

I liked mixed tapes, especially receiving them (and indeed, giving them) as gifts from serious boys at university.

They took time to prepare and much thought to put together properly, and, if done properly, the musical preferences of the intended recipient were also taken into account.

You had to arrange the mix in a certain specific (well planned) sequence to obtain the sound - or ambience - you wanted, and you had to be very aware of the length of each song - for tapes were limited by time (20 minutes each side, or 30 minutes each side, and the occasional legendary tape of 45 minutes per side), and that deterred which songs - and in what corder - could be taped.

For a music lover, these were serious (and usually treasured) gifts.
 
It's raining outside, so from my rain playlist....

Joe Hisaishi - Kaze no Torimichi (The Path of Wind) (from My Neighbour Totoro)
 
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After some miscellaneous playlists while attending to some chores, back on a roll with Mozart and pianist Alfred Brendel, this time with Sir Neville Marriner conducting Academy of St. Martin in the Fields.

Currently up is the 20th Piano Concerto, in D minor, K.486. A weirdly confusing album cover with "1" and "2" and the word "duo" plastered all over it, plus images of 2 discs... boils down to this: It is a 2-CD package but happens to be volume 1 of two sets of the composer's piano concertos that at least this label has singled out as greater than some of the ones neither set 1 nor 2 includes? Okay then! And no matter, since if one's favorite Mozart as performed by Brendel is not here, Vox has recordings of all of them.


I thought the Piano Concerto No 20 in D Minor by W A Mozart (which happens to be one of my very favourite pieces) was labelled K 466.

Anyway, is it a particularly good recording, one worth acquiring to add to one's collection?
 
I thought the Piano Concerto No 20 in D Minor by W A Mozart (which happens to be one of my very favourite pieces) was labelled K 466.

Anyway, is it a particularly good recording, one worth acquiring to add to one's collection?

You're right about my typo on the D minor, I'll fix it! I'm still sorting through assorted performers' takes on Mozart's piano concertos, currently listening to some played by Murray Perahia... he has recorded the 20 and the 27 on one album, but I've not listened to those yet. I love all these works so it's fun hearing different performances.

Meanwhile yes the K.486 is not a piano concerto, it's the overture to Mozart's singspiel Der Schauspieldirektor (The Impresario). The overture is a nice little work, four or five minutes of sprightly chamber music. The main work is apparently a comical thing, envisioned by Mozart as a public contest staged at two ends of a space, with bits of an Italian opera at one end and the German mini-drama at the other. I've only ever heard the overture myself...

 
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You're right about my typo on the D minor, I'll fix it! I'm still sorting through assorted performers' takes on Mozart's piano concertos, currently listening to some played by Murray Perahia... he has recorded the 20 and the 27 on one album, but I've not listened to those yet. I love all these works so it's fun hearing different performances.

Meanwhile yes the K.486 is not a piano concerto, it's the overture to Mozart's singspiel Der Schauspieldirektor (The Impresario). The overture is a nice little work, four or five minutes of sprightly chamber music. The main work is apparently a comical thing, envisioned by Mozart as a public contest staged at two ends of a space, with bits of an Italian opera at one end and the German mini-drama at the other. I've only ever heard the overture myself...


The only reason I noticed it, is that I adore the Piano Concerto No 20, and "K 466" is sort of etched on my mind. So, I blinked when I saw your post, (and double checked, before I posted a comment, just in case my memory had misinformed me).

Actually, for me, the Piano Concerto No 20 is soul-soothing music, something akin to exquisite perfection; perhaps, surprisingly, I haven't listened to it for a while, which means that it is due for a listen.
 
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