Last evening, I went over to the home of the three kids I’ve helped to look after for a few years, on evenings when their single parent, a longtime close friend, works late.
These days, they’re old enough to handle things without my needing to cook them supper and help with homework, but they still like me to come over on the “same old night” to just hang out for a little bit, play video games (you know…
intergenerational diplomacy), and listen to them as they try to make me understand and appreciate current memes which fall way, way outside my realm (and, real talk, maturity level).
They sometimes call me their “graunty” (my running gag being I maintain I’m perpetually the same age every single year, even after a birthday, and that age is 91 — thus “
grandma
aunty”). I think of them as my adopted niblings.
One of the kids, now in his teens, found himself getting into a handful of “old people” songs because they’re used in an anime he likes. (Sorry, I can’t remember the title of the series.)
His gateway was the anime’s use of “Roundabout” by Yes, but the series also includes (inexplicably) “Walk Like an Egyptian” by Bangles. (He now knows how much I detest “Walk Like an Egyptian” by Bangles.)
Slowly, he’s starting to listen to other “old people” music, and from “Roundabout”, he came across the
90125 album (which, for me, is like, “Awwwhhyissss MUSIC GATEWAY”). This led to one evening of me pulling up and showing him music videos linked with the directorial work of Godley and Creme, as well as the production style of Steven Lipson and Trevor Horn (including
six out of 18 versions of Godley and Creme-directed “Leave It”, of which 17 aired only once on a Saturday sometime late spring 1984, on MTV, leaving me a tween-me giddy that whole day as a new version aired at the top of every hour).
Song after song, he was all, “Oh, this is
cool.”
[This was also the kid who called the music I curate “
retirement boogie” (for which I trialled
a test project I plan to extend once life can settle down a bit). So I find it kind of poetic how the music he was knocking less than two years ago is now music he’s really getting into on his own.]
I’ve started to bring him a sample set of songs, based on the above, which he might or might not enjoy. I’ve started with a dog’s breakfast of stuff to get him going.
To do so, as his school’s chromebook is heavily locked down, making download of VLC player impossible, I was all, “Wait, he doesn’t need his chromebook or phone!” I went and dusted off the white, early 2008 MacBook4,1 I’d set up for the kids several years back, but which they’ve only rarely pulled out to use. (I’ve plans to change that.) Back when I gave it to them, I managed to find an Apple OEM battery,
brand new, for something like CAD$35.
Cosmetically, the whiteBook is in pretty good shape, though the clear polycarbonate shell has shown it’s been outside a protective sleeve and has (colourless) spots on its otherwise-shiny clamshell. The top case, notably, is completely intact and not splintering. [In getting it in a 2019 trade, along with my A1261 — for a particular bag of locally roasted coffee, no less — the only thing it needed was a kapton tape mend of the backlight cable, which was pinched and shorting.]
I tried setting up the songs I brought in iTunes 12 on the MB’s Mountain Lion partition, but found there are audio driver issues
which have come up for others before. So I rebooted to the 10.6.8 partition and launched the indefatigable iTunes 10.6.3, to find the speakers worked, but sounded like trash (especially the left).
We found some USB-powered speakers and I set it up:
(The room lighting was dim, so apologies on the potatocam quality.)
So far, he’s pretty excited, and the USB speakers really helped. He’s never had experience with Cover Flow, and loved being able to swipe-browse the sleeve covers. I’ve offered to bring over more, 2GB at a time (the capacity of a microSD card I had lying about), in the spirit of making mix tapes and CD-R sets, based on his feedback of what he really doesn’t like and what he really does.
Then unexpected bonus, unlocked:
His younger sister (who’s into all sorts of pop culture stuff I mostly don’t understand, most of it tied to all the “free-to-play” games saturating the world) walked in as
this song was playing (the same song I picked up, live, on shortwave,
with gqrx and SDR a couple of years back). She turned to the laptop and was all, “Is that Miki Matsubara? No, wait, that’s Junko Yagami!”
My reaction was hit-the-brakes-screech-stunned.
“Y… you know old J-pop?” She went on with her ingenious flex, “I also really like Taeko Ohnuki,” as I went to retrieve the broom and dustpan from the kitchen to sweep up my jaw, which had shattered when it hit the floor.
So now I may have two of them ready to be introduced to a bunch more older stuff across their seemingly different tastes.
I have MISSED being a pop music guide. It’s my happy place. And suddenly, with my niblings, I’ve become a little less alien and inscrutable as an Old.
😀