Well played!Shaka, when the subscription fell.
Thank you for the insult, but your premise just doesn't apply.The comments are going to be filled with a lot of upset users.
Photographer: Doesn't blink at spending $1500-5000 on a new lens, or $3000-5000 on a new camera body, or $300-800 on a new tripod, or $400-900 on a new flash, or $150 a pop on new UHS-II SD cards, or $800-3000 on a Thunderbolt RAID setup and SSDs, or $3000-7000 on a new Mac, or $800-2000 on a second and third display, or thousands of dollars on lighting equipment and backdrops and travel and paying models and grips.
Also photographer: Freaks out at having to pay Adobe a couple hundred bucks a year to edit, organize, share, and store all of their photos.
Y'all suck.
"Real photographers?" I suggest that all photographers are "real".Yeah, I guess it sucks for regular users who just do it as a hobby. But for real photographers it's a drop in the bucket. I bet what happened is their cloud costs have dropped and their regular development costs have increased with inflation so they are wanting to increase the price and are hoping to see this as a way to do it without seeming like it.
I agree, that's actually how capitalism works.I think Adobe CC subscribers went a long way in helping create the world they are currently in by simply subscribing.
Agreed.No. It’s time to test out alternative apps like the excellent Affinity Designer, Affinity Photo, Pixelmator Pro, etc. The best way to break the stranglehold Adobe has you in is to slip free of it—NOT to run off and compromise the security of your system by downloading questionable software.
Your premise about capitalism is all wrong here. When you chase away your customers for a long time, you will have your "come to capitalism" moment. And then you'll either change your evil ways or you'll go out of business.Capitalism at its finest right here. “We can piss off and lose half of our subscribers, if we DOUBLE the price. More profits, shareholders will love us, and we have fewer people to keep happy!” This subscription model will continue until it’s run right into the ground—they all know that it’s not sustainable at this pace. Yet they will do it anyway, because they exist to please only shareholders.
Aftershot Pro, by Corel.What is the LR alternative people are using? I was with Affinity for about two years. I finally got tired of waiting for Affinity to make DAM and had to move back to the creative cloud. I am not a pro, but I tend to edit my photos more when I use LR.
Colleges teach Adobe. Adobe subsidizes this because they know that the next generation of users will come from colleges.We've used Illustrator and Photoshop since the 1990's. When they went to subscriptions, it was difficult to get our entire department updated, due to older computers and operating systems. Some machines stayed with CS6 as long as possible before transitioning to CC.
I miss being able to own the software, even with paid upgrades.
If $19.99/month sounds greedy, try $550/month for a small in-house art department!
The more you use the software, the more advantages you can find, no doubt. Mobile apps are included, some have free professional brushes. You can use all Adobe apps, not just 1 or 2.
But, that's a large monthly fee to justify to a CFO!
Younger designers find Adobe to be corporate, compared to Procreate that fits their lifestyle in a more dynamic way. At this moment, Adobe still is #1 in the marketplace by far. But, if Procreate is a one-time purchase, and you can draw your ass off on a cool iPad Pro, I think a lot of new designers will find that to be a good fit for them.
Hmmm, I guess the long-term question would be, what do they teach at the college level? Is it all Adobe Illustrator and Photoshop? Or, do they sprinkle in Procreate and Affinity. If young students are brought up on Procreate, and work in that platform for a few years, they're not going to want to re-learn their workflow on Adobe products later on.
That would be the biggest risk for Adobe, that, a new generation isn't stuck with their platform. Once they're 25-30, Adobe has lost most of them for good.
After learning Photoshop and Illustrator, I didn't want to have to re-learn everything in Corel Draw.
Oh puhlease spare us with your "professional tools" rant. Price IS a limiting factor for a lot of people.These are PROFESSIONAL TOOLS and should cost as such. I never hear people complaining that a good table saw is $900+ or a decent camera can be over $3000. Anyone who is complaining was probably pirating Photoshop to begin with and I have zero sympathy. Affinity Photo is $50 and its fantastic.
Stock price does not keep a company in business forever. Fact.They don't care about the shareholders.
Much like communism, shareholders are a red herring. When was the last time shareholders were able to whack the C level executives or the board members.
This is all about the stock price - and the executive compensation that is tied to it.
Most of us are NOT professional photographers. Way to assume who your audience is.If you’re a professional photographer and make your living out of it by earning $2000 a month for example. $20 is just a 1% of your earning that is also tax deductible. 1%...
Yes to everything you said. You're on the money here.My guess is that they have done their homework and they have done the math. By doubling the price, they know that some folks will cancel, but let's say 25% of users cancel their subs, Adobe has still increased revenues substantially.
And that's the thing --> the total cancelations will be far less than 25% of users. There are professionals that have businesses built around these tools and workflows where switching to different software will be way more expensive than just ponying up the extra monthly fees.
As has been the case since subscriptions became the norm, it's the casual users that get screwed. I would like Photoshop on my machine so that I can use it a few times a year, but I'm not paying a monthly fee for anything that I don't use daily. At least there are decent and affordable, quality alternatives now.