Please, be more dramatic.![]()
This is an amazing update. It's everything FCP has needed for a long time. And you're upset because it looks like iMovie? I swear, it doesn't matter what Apple does, whenever there's an update by Apple there will always be people like you who will NEVER be happy. I'm surprised you aren't complaining that it's not a free download. Stop acting like a victim. No one is holding a gun to your head forcing you to buy it.
Is it any coincidence that the "so-called" Pros in this discussion (who have probably never even used FCP) are complaining about the Interface simply because it looks like iMovie, and so therefore must be "cheap/un-professional"?
I very much hope they are coming out with boxed version with printed manuals. Downloading pro apps or suit of pro apps from App Store without physical media or real manuals makes no sense.
Some pro-style questions that have been left unanswered:I have absolutely no idea what people complaining here about it going non-pro is talking about.
Did you even watch the coverage? Or did you just look at screenshots?
Most people here, will tinker with FCP and never actually make feature films or shows. You all have an opinion, but I think that people that actually do this for a living will be very happy with the results.
Some pro-style questions that have been left unanswered
Yes, that was exactly my point. The people who know how to use the software are (sometimes) assistant editors, although I find the vast majority know how to do a few simple things, but do them well.. The original poster was implying you needed to be a hollywood film editor to judge technical capabilities, and I was saying they were the worst choice for just that reason.
The people who know the most about editing systems are the Sr. editors who work on heavy, effects based sequences that work in broadcast production environments (I'm not talking about me here). *They* are the ones who push systems to the limits and *they* are the ones who go to NAB. (They're still only 10% of that room)
I think that most of them will find that Apple has, at present abandoned them. That's not to say the industry won't shift, and there won't be enough 3rd party solutions out there, but they are throwing Avid a HUGE bone here.
FCP was making big inroads into broadcast, and they're throwing it away-- for today certainly.
Filmwise, could go either way, depending on the production. If it's got great RED/4k performance, "film" support isn't so important..
But for the indie crowd, they're really screwing them over, if they are abandoning Color. *THAT* is what shocked me. I'm also surprised that effects weren't more advanced. I couldn't see anything on a titling tool, but that's pretty imporant for Broadcast as well.. and *no* existing solution is good for that... They really had (have?) a chance to make that right, and it seems they don't care.
So, when I say "iMovie Pro" that isn't necessarily pejorative. This product is WAY, WAY, WAY more iMovie than FCP. That doesn't mean you can't cut "a real movie" on it. But for Broadcast TV, it's a real step down in a lot of ways-- at the very least not a step up.. The interface is very iMovie. They should have called it iMovie PRO, especially if they're getting rid of the rest of the FCS apps..
Now if it turns out this is just the tip of the iceberg-- then we really could be in for a treat.
My only concern at this point is every iMovie user now thinking they can be a pro editor with no training and very little cost. Even a 10 year old kid will be using FCP. This is going to affect the editing job market and make editors a dime a dozen. Sure talent still matters but it is going to be harder for companies to sift through 5000 demo reels trying to find that talent. Apple has pretty much turned editing into Wal-Mart.
Someday I'll tell my kids that Apple was the company for pros to which they will laugh in disbelief
Some of those questions actually were answered (for example that full keyboard control has been retained) and others are more or less no-brainers (like the stabilization question - you can enable/disable and even fine-tune that even in the dumbed-down iMovie, so why shouldn't you be able to do that in Final Cut).
Full keynote has been uploaded to YouTube -
Part 1: http://www.youtube.com/watch?v=8VLwsfBa71U
2: http://www.youtube.com/watch?v=HfgnyRSRyzg
3: http://www.youtube.com/watch?v=M3OI3RGdhrM
4: http://www.youtube.com/watch?v=M16Hb4_3oOY