nuckinfutz said:
There will be a bundled suite of applications that are licensed together with one serial number. You will have something like
Final Cut Pro 7
Motion Pro 2.0
Shake 6
DVD Studio Pro 5.0
XXXX 2.0(3D app)
ProBand DAW
I don't think that will happen 'cause there are very few places that do all of that in-house (especially the target market for Shake). It is very common for projects, especially those w/a good sized budget, to be worked on by 3 or more post places (1 for the editing, 1 for the audio, and 1 for the VFX). And lower budget projects that end up in "all-in-one" shops typically will probably settle for audio mixed inside FCP and compositing done in AE, not shake.
Tight cross-program integration is more of a bonus than a true selling feature, IMO. And it's only really worthwhile when each program can sell itself with out the other. For example, Adobe has made Premiere Pro and After Effects play really nice w/each other (and have this as a big selling point), but has that feature really taken sales away from Avid or FCP? Probably not because the workflow between Avid/FCP and AE is "good enough." The con's of switching to Premier Pro just to have better integration w/AE far out weight the pro's. Now, if Apple can make a killer apps that VFX/compositing companies want, post audio places want, and post video places want AND they make them all play together better than non-Apple apps THEN the integration will be a key selling point. But trying to sell an audio guy a less desirable audio app because it possess tight integration w/FCP won't go over to well.
tomgreever said:
No one has mentioned the possibility of multi-cam support for FCP 5. That's a big piece missing from the current offering. If you do multi-cam, you just can't use FCP at all... no choice.
That's not true. Of course a native solution w/in FCP is needed (and has been for a while), but there are work-around workflows you can use (good for 3, maybe 4 cameras) and there are 3rd party apps for sale if you do multi-camera work on a regular basis. Obviously no offerings so far are nearly as good as, let's say, Avid's mutli-cam abilities, but multi-cam in FCP is doable. Hopefully, though, 5 will finally have a native, robust solution to this problem.
gangst,
What this means is that it lets the editor view footage from multiple cameras in synch and side-by-side. For example, let's say you shot a wedding and used 3 cameras. Using an NLE (nonlinear editor) w/multi-camera support would allow you to watch footage from all 3 cameras in synch and at the same time.
Lethal