I hope so — forcing existing users to pay when they paid up front previously is a bad move.Quite a marketing coup for the Blackmagic Camera app to be getting that kind of exposure when it's only been out for a month. Filmic Pro must be regretting that subscription model about now.
Hmm yeah I think this is a good explanation. This probably gives the background this “global illumination CGI” look.Consider the depth in the images. In reality we see light that is far away as dimmer than light that is close up. With LED lighting a designer can set the lights in the background brighter to achieve a more even look to the lights across the image. It will make the background pop more and look really even across the image, but it will look unnatural, also.
Framerate.But why does it look so much more “artifical” than cinema? Although I have to say that some modern TV shows also seem to go for that look. I’m probably just getting old 😆
The same equipment they would have used for high end video cameras. That was really the who,e point. They’re saying that you can substitute the iPhone for that $100,000 camera and get excellent results.It’s a cool marketing gimmick to say it was all shot on an iPhone, however the amount of additional equipment and post production work that was needed to produce the scenes was considerable.
I had that exact same reaction! From the beginning where they showed Tim Cook starting the event, so each "set" they switched to, I kept thinking, each time, "Oh! That wasn't CG..."Every time I see some Apple presentation behind-the-scenes, I’m surprised they are actually shot in real locations.
It often looks like it’s been shot in front of a green screen and the rest is rendered.
And it’s not because of the iPhone, I had that feeling with previous presentations. Probably something with the way they light the scenes?
FTP ?One thing said on FTP that I actually agree with, more than a MacBook Pro/iMac event, this was just a really, really good and clever Shot on iPhone commercial.
Apple is a global company but they are based in CA so I'm sure the production crews reflect the area. There were a few white guys spread throughout the commercial but in order to appeal to a world market, you need to represent many different ethnicities. Globally, white men are the minority so it's equally hypocritical to see most TV shows and movies populated with mostly white people, especially when set in any major city.This production perfectly shows Apple's hypocrisy and the truth about the world.
The official presentation showcases minorities, people of color and women doing creative activities. However, when we see the actual production, it turns out that they are all white men.
The point wasn't for the video to look better than any other video keynote. The point was for viewers who saw the final title card saying "shot entirely on iPhone 15 Pro" to feel good about their purchase or reassure them that they are about to buy the best phone that Apple sells.Such a pointless exercise, the rest of the gear is $$$ why skimp on a $1k phone. Spend more on a proper cinema camera or just use that $1K on a more consumer level camera that will still be leaps ahead of an iPhone.
Yet still somehow more interesting to watch than many segments of the iPhone introduction itself.
Such a pointless exercise, the rest of the gear is $$$ why skimp on a $1k phone. Spend more on a proper cinema camera or just use that $1K on a more consumer level camera that will still be leaps ahead of an iPhone.
View attachment 2305216What is this device on the right? I believe it’s manually zooming?
Only if you point a light source directly on the lens. Don’t matter if it’s an iPhone or a Cooke. Every optical system “suffers” from it and you have to work around it if you want to avoid it.It’s not possible to shot a video at night because of the lens flares
Probably a Bluetooth zoom controller, ya.
Follow focus remote for manually adjusting focus on the image.View attachment 2305216What is this device on the right? I believe it’s manually zooming?
Apple realized early on that Aperture could never compete with Lightroom and Lightroom's rate of progress. It was true back then when Apple killed it, and more true today seeing how Lightroom has evolved (especially over the last year).
The above is not surprising. Apple is an outstanding computer/phone/tablet company. That's Apple's focus.
Adobe is an outstanding image and video editing/processing image/color science company, that's immersed in producing superb software tools. That's Adobe's focus.
That's why early on years ago after evaluating both Aperture and Lightroom, especially with respect to non-destructive RAW editing capabilities, I chose Lightroom and never looked back.
That turned out to be a very good decision.