Philip Bloom and Larry Jordan are both heavy weights and their words go far in the film making community. Great to hear... I look forward to finding out more.
Got a tip for us?
Let us know
Become a MacRumors Supporter for $50/year with no ads, ability to filter front page stories, and private forums.
Apple to Introduce New Final Cut Pro on April 12th?
- Thread starter MacRumors
- Start date
- Sort by reaction score
As someone who's attended NAB yearly, (and again this year) Apple has not had a presence there since 2007, and currently are NOT on the exhibitor list for this years convention. Will take pics if I'm wrong though.
DVDSP needs blu-ray support
I hope that the new Final Cut Studio package updates DVDSP to allow for authoring blu-rays.
I hope that the new Final Cut Studio package updates DVDSP to allow for authoring blu-rays.
Predictions
- Major revamp of asset cataloguing system with integrated final cut server, something similiar to what Aperture does with photos. This will be it's biggest feature
- Core image fx with integrated Shake-style fx compositing
and the usual obvious things (64 bit, new formats, updated quicktime, etc..)
- Major revamp of asset cataloguing system with integrated final cut server, something similiar to what Aperture does with photos. This will be it's biggest feature
- Core image fx with integrated Shake-style fx compositing
and the usual obvious things (64 bit, new formats, updated quicktime, etc..)
+1
Either that or if they release it on the AppStore: Make the base application as affordable as FCE and make the other parts of FCS seperate apps or in-App purchases.
I guess the iMacs are due before WWDC but I somehow don't think they'll release them the same day as the new Final Cut. This release of Final Cut has been years in the making, so they'll probably don't want the media coverage to be overshadowed by other announcements.
I'd love to see refreshed iMacs, though.
4GB? Do you realize how many DVDs FCS is? Unless Apple is going to severely cut up the package and de-studio it, no way is 4GB nearly enough space. Aperture is fine as a download b/c it's a relatively small program. FCS is a monster. It needs to be on media. I can't hog up my bandwidth to d/l a 16+GB suite.
About time. FCP is aging poorly. The engine is still Carbon and based around the old QT, which means that a lot of functions only use two cores at the most. I think we'll finally see Apple seriously leveraging GCD, OpenCL, etc here, although don't expect video compression to use OpenCL if the lousy quality of CUDA encodes is any indicator. Maybe Apple will add support for QuickSync on Sandy Bridge.
Also, Compressor is a damned joke. When your "Pro" software encoder gives you less options and lower quality with longer render times than free alternatives, you really need to go back to the drawing board. Yes, a lot of folks use hardware encoders, but really, if you're going to include a software encoder, at least make it as good as free software...
Also, Compressor is a damned joke. When your "Pro" software encoder gives you less options and lower quality with longer render times than free alternatives, you really need to go back to the drawing board. Yes, a lot of folks use hardware encoders, but really, if you're going to include a software encoder, at least make it as good as free software...
Here are some of my predictions for FCP
I've posted several predictions over the past few months throughout this tread at Cinema5D:
http://cinema5d.com/viewtopic.php?f=24&t=25464
I've posted several predictions over the past few months throughout this tread at Cinema5D:
http://cinema5d.com/viewtopic.php?f=24&t=25464
Price Cut?
When they revamped Logic Pro they cut the price from $999 to $499.....fingers crossed for FCP.
When they revamped Logic Pro they cut the price from $999 to $499.....fingers crossed for FCP.
Perhaps a little hasty of me, I was simply meant to say that in my experience I've not ever been required to deliver anything on Blu-Ray, and that to my mind it was a purely consumer format.
I don't think blu-ray support is a dealbreaker, but I certainly wouldn't mind exploring the authoring options.
I would /kill/ for better asset management. The "Aperture" for video is what I've been needing for a while now...
Really? And yet, it seems to be good enough for the top directors in the industry.... some of the recent Academy nominated films were all edited on Final Cut, including the Cohen Brothers' "True Grit", and "Winter's Bone". Also, David Fincher and Francis Ford Coppola used FCP on their last films... these are all people that have access and can afford cutting their films on AVID and yet, they recently choose Final Cut Pro... so why do people even question it?
Because those big name directors can afford a whole team of assistants to manage their assets?
I hope the next release of FCS integrates the different apps within the suite under a single UI.
The whole "Send to" export concept always seemed like an awkward workaround for using this package as a "suite".
As sad as it was to see Apple kill off Shake, my hope is that it will be reborn inside FC as the node based compositor portion of the package. Motion inherited some of Shake's features, notably SmoothCam, so hopefully more of Shake will live on in FCP.
I'd really like to see FCS become of a single app where the "suite" of apps becomes more of a "mode" of operating. In other words if you choose to do editing the UI can switch to a mode that focuses on that, as with compositing, titles (LiveType) or audio editing (Soundtrack).. and so on.
The whole "Send to" export concept always seemed like an awkward workaround for using this package as a "suite".
As sad as it was to see Apple kill off Shake, my hope is that it will be reborn inside FC as the node based compositor portion of the package. Motion inherited some of Shake's features, notably SmoothCam, so hopefully more of Shake will live on in FCP.
I'd really like to see FCS become of a single app where the "suite" of apps becomes more of a "mode" of operating. In other words if you choose to do editing the UI can switch to a mode that focuses on that, as with compositing, titles (LiveType) or audio editing (Soundtrack).. and so on.
Also, I'm waiting for the RED Scarlet camera to hit the market, and have heard speculation that RED and Apple will release a new highly efficient compression codec based on RED's Redcode called REDRay.
The speculation is that REDRay will be used for everything from 4K DCP playback in movie theaters to a download/streaming version that will be usable for buying up to 4K movies through iTunes.
RED hired plugin developer Graeme Nattress awhile ago and he has been pushing the REDcode science forward with excellent results.
The speculation is that REDRay will be used for everything from 4K DCP playback in movie theaters to a download/streaming version that will be usable for buying up to 4K movies through iTunes.
RED hired plugin developer Graeme Nattress awhile ago and he has been pushing the REDcode science forward with excellent results.
sorry but that's not the case. While some contend it's jaw-dropping, that's only because they're stacking it up against what FCS is currently. Compared to what Avid and Adobe are doing, Apple now has a mountain to climb. Apple has been too interested in their entertainment business to worry about their "pro" line (hardware/software). I know quite a few studios who have already shifted BACK to Avid and some are taking on the Adobe Suite completely as their software of choice. While some may find the new FCS exciting, and it does have some bells and whistles, it's typical Apple doing an incremental bump to keep up with what others are doing. Sad really.
The Supermeet is a meet-up of Final Cut Pro User Groups from across the country that coincides with NAB. It is not a part of NAB itself.
Lethal
If it is all just more bells and whistles I guess it will be time to get the upgrade from CS4 to CS5.
It sure does seem like Apple is abandoning the pro market that for a very long time influenced others to go Mac.
I really hope that's not the case.
It sure does seem like Apple is abandoning the pro market that for a very long time influenced others to go Mac.
I really hope that's not the case.
Last edited:
There is a whole thread about that, though. Don't read it.
I've been to quite a few film festivals that take entries on Blu-Ray.
Apple has two mountains to climb: 1) to keep up with their competition where they used to lead. (2) They have to convince users that the mac as a pro platform is a good investment.