Perhaps Apple doesn't care about broadcast because Apple wants to change TV, too. God, I hope they do.
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I am a editor for NBC and other cable networks and it doesn't matter what I edit with I adapt . I haven't been using FINAL CUT X a lot but I use FINAL CUT 7 with no issues and I also work with premiere and avid . If you are a good editor you can work with most any program so stop the whining and learn how to edit !
What I don't understand is why Apple didn't make it more clear they were going to add these features back. I understand their need for secrecy, but sometimes they seriously overdo it.
Thank you! Im also a professional editor. I completely agree. I will say FCPX has come a long way. I have used all of the major editing programs and I will say that FCPX has really opened my eyes to what I think the future of editing can be. I have used it on very large scale projects that are going to broadcast without any major hiccups.
Now with this update, hopefully more people will give it a chance and we can all get back to editing!!
I work in an insanely high paced broadcast environment. We made the leap to FCPX the week it came out and have been flying high ever since.
I seriously doubt the veracity of people here who claim to be "pro" editors. We adapted our workflow to FCPX and made huge bounds in efficiency and productivity in the fist month alone. Now with multi-cam, I'm almost afraid at how cool things are going to get.
BAM- right on. Blew up this cut for my clients 3 months ago on FCPX. People you must adapt. You must flow. You must.... edit.
http://www.youtube.com/watch?v=DU6lbDaFGHc&feature=related
BAM- right on. Blew up this cut for my clients 3 months ago on FCPX. People you must adapt. You must flow. You must.... edit.
http://www.youtube.com/watch?v=DU6lbDaFGHc&feature=related
You're killing me ... with comedy. For crying out loud 'Ryhme' each of your clips you post are funny than the one before.
You have perfected small-town public access cheesiness! The camera work on this last one was extraordinary.
But seriously, you're only proving the point the 'pros' here are trying to make. If THIS is a shining example of what FCPx can do ... then everyone defending the software should just go home now, lol.
jesus what do i have to do? the last video I posted didn't even have ONE SINGLE EDIT in it. hahahahahahaaa. Man, this board really does need some comic relief.
jesus what do i have to do? the last video I posted didn't even have ONE SINGLE EDIT in it. hahahahahahaaa. Man, this board really does need some comic relief.
What will apple do when they reach saturation? the consumer market apple is so in love now is not known for upgrading often, i do wonder how long they can keep sales of the iphone that high.
After I posted I started to realize that maybe you have been joking this whole time.
You really do agree that FCPx stinks and have been showing these crappy clips as alleged 'pro' who praises it.
Well played, my friend.
I'm just feeling silly that I didn't pick up on your ruse prior to this.
Try shooting an hour long show on Thursday night with 3 cameras and have it ready for broadcast QC friday afternoon and air friday night to 300 million households. Once you're in that situation, you can lecture me on not being able to "figure out a way" myself. I don't put deadline-heavy shows in the hands of tools that have been downgraded to cut the features I use for that very instance. That's unprofessional and stupid.
I really should grow up, huh.
but **** it, I don't know one editor who is happy with FCPX.![]()
You don't work in a post-production house or in broadcast do you? My firm is in the process of moving to Premiere. The news organization I used to work for is in the process of doing the same. Buddies who cut in LA and NYC have already jumped ship to Avid Media Composer. So when I say "most of us", I mean most of the editors I know and interact with regularly who span the industry. It's a pretty good sample.
I really should grow up, huh.
but **** it, I don't know one editor who is happy with FCPX.![]()
Unless you are depending on AfterEffects, but then you had no reason to be in FCP7 in the first place.
I really should grow up, huh.
but **** it, I don't know one editor who is happy with FCPX.![]()
It was overtly clear, all it required wad common sense.
As for this X update, it's nice, but I really need external monitoring!
Yeah, I don't think so. "Most of us." Most of yourself, perhaps.
You work on a show that gets 300 MILLION viewers every Friday? What show is this? House? American Idol? Oh wait, even those don't get 300 MILLION viewers...
Nevertheless, I'd love to know what show you work on that waits until Thursday night to film, and then has to be ready for 300 MILLION viewers on Friday. What network is it? What show is getting that many viewers on Friday night? Where can we see YOUR NAME in the credits?
I understand the sentiment that you are trying to convey here, but by throwing out these kind of wild claims you just sound like you are blowing smoke up everyone's butts.
That looks like the same stuff that has been airing on daytime cable tv since 1988 or so. No offense, but I wouldn't hold that up as an example of some sort of achievement. Speaking as an outsider to the industry who did stuff like that for hobby projects more than a decade ago, it's not impressive.
I have to agree. That was really cheesy looking stuff.
If that's the best FCPX can do...
You don't work in a post-production house or in broadcast do you? My firm is in the process of moving to Premiere. The news organization I used to work for is in the process of doing the same. Buddies who cut in LA and NYC have already jumped ship to Avid Media Composer. So when I say "most of us", I mean most of the editors I know and interact with regularly who span the industry. It's a pretty good sample.