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Originally posted by Moxiemike
If the shutter lag is anything like the D100, it's not an issue at all. I do action/sports oriented stuff ewith th d100 all the time, and have no issue with SL. Juts make sure mirror lockup is off (which adds a half sec. delay between the mirror flipping up and the shutter closing.

But yea. I don't think you'll see much in the way of shutter lag, it'll be similar to the 10d/d100/f100/n80 areas of camera.


As far as 6mp goes? I've done 24x36 prints (and 125dpi) and the quality is AWESOME. I go up to 11x17 @ 300dpi with no problem.

The key is getting good lenses, with good reslving power.

I've noticed that the 300d kit lens doesn't have as much resolution as the Sigma 70-300 my buddy uses, and the 50mm primes, and good prosumer-ish lenses from Nikon (that I know about... not as schooled in mid-range Canon gear) gets me some stunning resolution.

What size are you looking to print?? 8x10's are virtually indistinguishable from film, and the 18x24 + sizes only "show their true colors" when you put your nose about an inch from 'em. :)

6mp would be good for ya.... if not, the Fuji S2 gets 12mp (though interpolated...) and nets out to like, 9mp.

Of course, you should ALWAYS shoot raw, and save as 16bit tiffs for NO lose of info. and you can size up a lot.

well i generally print at 8x10 ... but i'd like to be able to at-least print a 16 x 20 with it being awesome from a 3 foot distance ....

and the 3 frames per second works well for you in sports?
 
Originally posted by revenuee
well i generally print at 8x10 ... but i'd like to be able to at-least print a 16 x 20 with it being awesome from a 3 foot distance ....

and the 3 frames per second works well for you in sports?

Generally it does. I'm shooting youth sports, as well as some dance companies, so the movement is quick.

Haven't done hockey yet... but yea. The FPS of the D100 hasn't been an issue

Though I'm used to shooting with manual focus cameras and no motor drive.
 
Originally posted by Moxiemike
Generally it does. I'm shooting youth sports, as well as some dance companies, so the movement is quick.

Haven't done hockey yet... but yea. The FPS of the D100 hasn't been an issue

Though I'm used to shooting with manual focus cameras and no motor drive.

well i'll be moving up from an nikon f50 ... with only one frame per second...

and i've been torn between staying with film and getting a better body, or moving to digital all together ... i think at 6.1 i can make that step
 
Originally posted by revenuee
well i'll be moving up from an nikon f50 ... with only one frame per second...

and i've been torn between staying with film and getting a better body, or moving to digital all together ... i think at 6.1 i can make that step

I'd go with digital, and these would be my lens recommendations:

I'd get the D70 (it has a 144image buffer too, by the way) with the Kit lens, which gives you 28-105 3.5-4.5 as a NICE carry around lens.

I'd also grab the 50mm 1.8 lens.

And if you can swing it (shooting sports? you should!) get the 70-200 f2.8 Sigma. It has HSM (silent wave motor) ED type glass and is comparable to a high end nikon in build quality and image quality. Costs about $650 if you look around.

:)
 
wow moxiemike

looks like canon will go bust now you've saved us all from buying a load of rubbish.

Does this other lump of rubbish by nikon actually help you to take a better picture or are you just playing trumps with a few largely irrelevant figures.

Here's a question - would you actually have time to learn the skills needed to take a good picture if you are preoccupied with spliting hairs over brand names?

I think you are just very good at playing top trumps.:)
 
Originally posted by kettle
wow moxiemike

looks like canon will go bust now you've saved us all from buying a load of rubbish.

Does this other lump of rubbish by nikon actually help you to take a better picture or are you just playing trumps with a few largely irrelevant figures.

Here's a question - would you actually have time to learn the skills needed to take a good picture if you are preoccupied with spliting hairs over brand names?

I think you are just very good at playing top trumps.:)

Face it. I've sit down and actually taken pics with both brands. While, and i've said it, the 10d and d100 are virtually the same... the 300d, and more particularly, it's lens, lags behind the other offerings. It's a nice cam for a grand, until the d70 came out.

And yes, I've actually managed to make a good amount of coin from my "piece of rubbish" nikon.

And I don't take pictures. I make pictures. And I probably make them better than you. ;)

It pays to know your gear. And when it's 15° outside, and snowy, I'll spend time reading some stuff, testing some others, and doing design.

That way, when it come time to use the gear (like the corporate portraiture shoot I have later today...i can nail it quickly and efficiently, and make the most of my time.

It's all about knowledge. And yes, there's even more knowledge one should know when buying a Digicam. Just because Canon has a 6mp something or other and a kit lens for a grand, don't assume it's the best around.

I know several people who have fallen pray to that mentality, and now want the D70. I think that one should take the time and research their purchases. I look at it like, if you're gonna buy the Rebel, just get the body and buy a real lens. I don't think the Rebel s rubbish. I just think that Nikon is offering a better value in that range.

And i'm not afraid to pump out the stats that explain things either.

Next time, post something of substance, champer.
 
Re: Re: Nikon lens multiplier info

Originally posted by Moxiemike
Nikon has "standardized" on the 1.5x image crop as their "DX" standard, probably stemming from engineering difficulties (or just price constraints) in the development of sensors.

as such, they've also developed a NICE series of "DX" lenses, which take into account the 1.5x crop factor:

.... (snip)

I think Nikon has the best strategy with their sensor format and lenses. I don't mind the smaller sensor, as it's easier to engineer. If it gets me 16-22mp (medium format res) some day for 2k i'm sold.

Canon is weird (to me) since they have 1.3x's, 1.6x's and full frame. Plus some odd rebel only lenses, etc.

Sigma's Digital initiative is to be looked at seriously, though the slowness of that lens makes it primarily a landscape lens for me. Though I may get it.

SO the crop factor isn't as big of an issue as it was a year ago. That said, no one ever knows what's happening in the digital world. Hehe
It's interesting how people reach opposite conclusions from the same data. To me, the Nikon strategy of forcing their sensors to standardize around a 1.5 crop doesn't make any sense for those customers who've ALREADY bought into their lenses for 35mm. Of course it okay for new entrants - they can stick to Nikon's current digital standard, and can get away with smaller glass. (although as you not at the end of your post, these NON standard lenses may just be the passing fad)

For those who already have $10,000 worth of Nikon glass, however, it seems total NONSENSE! These users have spent a bundle buying optics that can resolve a certain size image on the film / sensor plate, and Nikons response seems to be - "doesn't matter about that, we'll just throw a bunch of this valuable information away." So Nikon's sensor size doesn't seem driven by the technology, but rather by the marketing or some strategy department. This arbitrary use of 1.5 seems to imply that even if Nikon COULD buy a full frame sensor (MUCH better for all current owners of their lenses) they wouldn't.

Canon's strategy seems MUCH more sense for current system users. They upgrade, and have various sensor models to choose from. Also, it appears that they would introduce the largest sensor that the price / performance point of that particular model would allow. And if you want to get the full performance out of your current lenses, buy the EOS 1Ds.

Finally, a word about the new digital lenses from Nikon, Sigma, and others. These will in fact be good value for the money compared to full size lenses. Because they are designed to produce a smaller image on the sensor plate, they can use smaller optics. Small optics (with quality held constant) will mean smaller prices - take a look at Hasselblad prices if you think 35mm lenses are expensive!

So these new digital product lines are probably is a good thing for new entrants. But everyone must be aware that these are not backwards compatible with 35 mm lenses, and the future is quite interesting and uncertain. If sensor sizes do remain this small, then one should expect to see the older lenses (which still dominate the product lines of makers) disappear, while the smaller lenses become standard. If, on the other hand, new larger sensors arrive soon before these smaller lenses have a large market share, the camera makers might go back to the existing standard (with a HUGE installed base of glass already) and these new lenses will be the eBay specials of 2010.
 
Re: Re: Re: Nikon lens multiplier info

Originally posted by CalfCanuck
It's interesting how people reach opposite conclusions from the same data. To me, the Nikon strategy of forcing their sensors to standardize around a 1.5 crop doesn't make any sense for those customers who've ALREADY bought into their lenses for 35mm. Of course it okay for new entrants - they can stick to Nikon's current digital standard, and can get away with smaller glass. (although as you not at the end of your post, these NON standard lenses may just be the passing fad)

For those who already have $10,000 worth of Nikon glass, however, it seems total NONSENSE! These users have spent a bundle buying optics that can resolve a certain size image on the film / sensor plate, and Nikons response seems to be - "doesn't matter about that, we'll just throw a bunch of this valuable information away." So Nikon's sensor size doesn't seem driven by the technology, but rather by the marketing or some strategy department. This arbitrary use of 1.5 seems to imply that even if Nikon COULD buy a full frame sensor (MUCH better for all current owners of their lenses) they wouldn't.

Canon's strategy seems MUCH more sense for current system users. They upgrade, and have various sensor models to choose from. Also, it appears that they would introduce the largest sensor that the price / performance point of that particular model would allow. And if you want to get the full performance out of your current lenses, buy the EOS 1Ds.

Finally, a word about the new digital lenses from Nikon, Sigma, and others. These will in fact be good value for the money compared to full size lenses. Because they are designed to produce a smaller image on the sensor plate, they can use smaller optics. Small optics (with quality held constant) will mean smaller prices - take a look at Hasselblad prices if you think 35mm lenses are expensive!

So these new digital product lines are probably is a good thing for new entrants. But everyone must be aware that these are not backwards compatible with 35 mm lenses, and the future is quite interesting and uncertain. If sensor sizes do remain this small, then one should expect to see the older lenses (which still dominate the product lines of makers) disappear, while the smaller lenses become standard. If, on the other hand, new larger sensors arrive soon before these smaller lenses have a large market share, the camera makers might go back to the existing standard (with a HUGE installed base of glass already) and these new lenses will be the eBay specials of 2010.

You make a lot of great points. And yea, I agree completely with the "If, on the other hand, new larger sensors arrive soon before these smaller lenses have a large market share, the camera makers might go back to the existing standard (with a HUGE installed base of glass already) and these new lenses will be the eBay specials of 2010."

That said, I'm still a little wary about Canon overall, after the whole MF lens to AF lens switchover where all the old MF lenses were rendered useless on AF Canons.

One thing, regardless of crop, I have some old MF Nikon lenses (a 135 f2.8, a 20 f.8 and a 50 f1.2) that have been given a mostly new lease on life with my Nikon.

Now they DO play the game a little (the g series fdor sure!) but by and large, there's no big planned obsolescene from Nikon.

On the topic of smaller lenses... i handled the 12-24 the other day. It's MAMMOTH.

Almost as big as the 17-35 f2.8 pro lens.

And it's heavy too.

But it DOES work on any cam that can use G lenses, whether digi or not.

Though you get vignetting at 12mm.

It's still a good performer on an N80 or similar AF nikon.

I think it boils down to Canon being better at marketing and Nikon at engineering.

Canon made the d30, d60 and 10d before getting it right with the 10d.

Nikon in that time released... the D100. Which was better than the d60 and just as good as the 10d.

Plus, I like Nikon's optics better.

But yea. It's a confusing way all around and each manufacturer gives a 6 in one, half dozen in the other type of reasoning.

There's no clear cut winner. Yet.
 
Did you see my last post? I was serious about taking one of the dusty old worthless 1N's off your hands. :D


Mike: Is that Sigma lens your buddy has the 70-300 DL Macro Super? Because that's the one I have, and it's pretty good, but the AF is noisy and slooooow, heck I can focus faster by hand.

Side note, I noticed some dust inside my Canon 28-80. I have no idea how it got there, but it wasn't there when I bought my Rebel 2k. :mad:
 
Re: Re: umm...

Originally posted by Moxiemike
Nope. The lens is 3.5-5.6

And if i'm paying $1000... i don't want "just a camera"

No matter how much you spend, really you're getting "just a camera". It's not the camera that matters, it's the photographer. I've seen some incredible photos that were taken with equipment I would have considered to be junk, but it was a matter of that equipment being in the hands of a master who was familiar with it.
 
Originally posted by Moxiemike
...That said, I hated the whole Canon UI.... and went to the D100. BUt in any case, yes... if you research your lens choices, you can get great quality for under a grand. ;)

AND i'm a pro on a budget. :)

Say Moxiemike,

It seems like this thread isn't quite properly named. From all of the posts here, it seems that your real beef is with the lens that comes with the Rebel kit, not with the Rebel itself. Except, as indicated by the quote above, that you don't like the Canon UI. That sounds a lot more like brand preference than like the Rebel being "outspeced".
 
Originally posted by Moxiemike
...The lenses I mentioned are for pros who have tighter budgets, like eyelikeart and I. :)


And like me... although I'm only on the fringe of being a pro...


P.S. I have a lot invested in Canon equipment, and I like the UI. So, when I do go digital, I'll be getting a Canon dSLR.

[Edit] P.S. Added to avoid another consecutive post...
 
Re: Re: Re: Re: Nikon lens multiplier info

Originally posted by Moxiemike
Plus, I like Nikon's optics better.
You're right on here - the gear drives our choices.

After ages with fixed focal length lenses and my trusty OM-4's (oh do I miss those tiny little babies), plus a brief detour into Nikon land, I shifted to Canon purely for their image stabilization (IS) lenses. All bodies have their strengths and weaknesses, but given my photographic needs I'd never give back those 2 stops that IS gives me just for a different body.

Of course it all depends on the shooter and their environment / needs. Mine is a field situation, where I don't control my subjects, I shoot alone, and I'm constantly on the go. For studio photographers with a PA and a controlled environment, they'd probably laugh at my gear, just as I'd laugh at theirs.

But for me, Canon's IS gear is SWEET!
 
Originally posted by Counterfit
Did you see my last post? I was serious about taking one of the dusty old worthless 1N's off your hands. :D
Thanks, but I keep them around as an insurance policy. Actually ran about 10 rolls of film through one last month in Turkey, just for old times sake!
 
Originally posted by Snowy_River
Say Moxiemike,

It seems like this thread isn't quite properly named. From all of the posts here, it seems that your real beef is with the lens that comes with the Rebel kit, not with the Rebel itself. Except, as indicated by the quote above, that you don't like the Canon UI. That sounds a lot more like brand preference than like the Rebel being "outspeced".

I don't like the Canon UI. That said, if the Rebel was a better specc'd cam than the D100 or 300d i'd pick it. I actually owned the 10d for a week or two. Hated it.

I think my d100 makes better pics that the Rebel and is on par with the 10d.

Do I think the rebel is bad? NOpe. Do I think the Kit lens sucks? Yes. Do I think that Canon's low end offerings are poor? Some are, yes.

And yea. That's the Sigma DL Macro. I have one of those that I keep in my bad as a lightweight telephoto. Love it. The 70-200 kicks it's butt in focusing and qwuality, but it's as heavy as it is more expensive. ;)

All said, the title is justified-- the d70 outspecs the 300d AND the 10d. And the D100, for that matter.

The kit lens outspecs the Canon's.

And seriously, I think some of the hype on The rebel isn't deserved. The image quality from ISO 400+ is 50/50, depending on what you're shooting.

That and their RAW files (which I just got into with a friend) are noisier still than the D100 or 10d....

BUt that said, they're all nice cameras, really. The nikon offerings are, IMHO, better. :)
 
Originally posted by Moxiemike
I'd go with digital, and these would be my lens recommendations:

I'd get the D70 (it has a 144image buffer too, by the way) with the Kit lens, which gives you 28-105 3.5-4.5 as a NICE carry around lens.

I'd also grab the 50mm 1.8 lens.

And if you can swing it (shooting sports? you should!) get the 70-200 f2.8 Sigma. It has HSM (silent wave motor) ED type glass and is comparable to a high end nikon in build quality and image quality. Costs about $650 if you look around.

:)

acctually i was looking at

picking up the 50 - 500mm Sigma EX lens for sports ... i tested this lens out with a f100 a few months ago ... .wow ... unreal
 
Originally posted by revenuee
acctually i was looking at

picking up the 50 - 500mm Sigma EX lens for sports ... i tested this lens out with a f100 a few months ago ... .wow ... unreal

Awesome lens.

Now, you GOTTA love that on a D70 it becomes a 75-750. That's SICK

and at 500 your prolly around f5.6

Sweet.

I probably should have gotten that one but I like the f2.8 of the Sigma 70-200.

man. Sigma is doing some GOOD things with lenses.

BTW, found out the Shutter lag on the D70 is 100ms.... on the D2h it's 37ms, which, again, is SICK.

And the d70 is 3fps, which is the same spec as the F100 without the motor drive battery pack grip thingie.
 
Originally posted by CalfCanuck
Thanks, but I keep them around as an insurance policy. Actually ran about 10 rolls of film through one last month in Turkey, just for old times sake!
BOTH of them?

P.S. I have a lot invested in Canon equipment, and I like the UI. So, when I do go digital, I'll be getting a Canon dSLR.
Exactly. Well, "a lot" is relative here, but around $400 is too much for me to spend on Nikon stuff PLUS the body.
 
Canon D30 is still a good camera!

I've still got my trusty Canon EOS D30, I bought it when Digital SLR's were still quite expensive £1850 I seem to remember (although I got the excellent 550EX free on a special rebate that Canon did).

I purchased this camera so that I could continue to use my existing Canon glass.

I have never regretted purchasing this camera and have got some (and still do get) excellent photos from it.

I know that many people upgraded from the D30 to the D60 and then the 10D. Now while each of these cameras offer newer features, higher resolution, better AF, etc, etc, I still get great pictures from my D30.

The trouble is that many users of these camera users (I won't call them photographers) will keep upgrading for the sake of having the latest and greatest camera not because they NEED the newer features.

NOTE: Just to balance this out there are equally a number of photographers who have upgraded because they actually need the new features.

I know that the D30 is only 3MP and the newer ones are 6MP but I don't NEED that high a resolution.

I apologise if I have upset anyone with this post but that's just the way I feel.
 
Originally posted by Moxiemike
And I don't take pictures. I make pictures. And I probably make them better than you. ;)

...the essence of the whole thread, my pinhole camera is made from a tin x inches longer than your pinhole camera.

Tools are very important, but the tool holding the camera is the most important thing. Our methods for capturing moments will change in the future and this discussion will be like asking which size brush is best for painting silver nitrate plates with.

Next time, post something of substance, champer.

Well, in a similar light, I would say "My dad's got a bigger gun than your dad."

Cheer up poppet! :)
 
Originally posted by Counterfit
BOTH of them?
Well, I actually got rid of a third film body (my backup) as I'm moved to digital. (5t was an EOS 3 - I was experimenting to se if I liked the eye focus feature, and I hated it).

Problem is what to do with equipment that has depreciated but still has some potential use. For me, it's a business, so I tend to hold onto gear until their values are pretty low. If one gets in a bind and has to rent gear ($$$ - ouch), you always kick yourself for letting old gear go.

With computers it's more a problem. Like many others here, I've bought about 30-40 Macs and PC's over the years. My first was the original Mac (Happy Birthday!). But I've only sold one or two of those - the rest slowly became worthless, and after they reach $100-200 I find it hard to sell them, as the buyer would do better to spend a bit more and get a better box. So I give them away, to schools, relatives, friends, Salvaion Army, etc.

eBay has made things a little easier that the old expensive (and not too successful) classified ads in the local paper. But I'm not a big believer in most "garage sales" - people are just selling you THEIR garbage. I know, some people love going to these and sorting through all this crap and finding a bargain - I'm just not one of those people. Used computer (and camera) sales are often the same, and even on eBay I find people spend too much on some used gear.

I have sold some more valuable things on eBay - the EOS3, the D30, and a Tascam DAT player I no longer used. But for the cheaper photo stuff, I just give it to a friend who teaches photography at a local high school. The kids are stoked (he teachs in a poor district) and new people learn about photography.
 
Re: Canon D30 is still a good camera!

Originally posted by Lincoln
I have never regretted purchasing this camera and have got some (and still do get) excellent photos from it.

I know that many people upgraded from the D30 to the D60 and then the 10D. Now while each of these cameras offer newer features, higher resolution, better AF, etc, etc, I still get great pictures from my D30.

The trouble is that many users of these camera users (I won't call them photographers) will keep upgrading for the sake of having the latest and greatest camera not because they NEED the newer features.

I know that the D30 is only 3MP and the newer ones are 6MP but I don't NEED that high a resolution.
SPOT ON! The D30 is a great little number. Read my post on the first page about how that camera won me over to digital.

In the same post I talk about how people get obsessed with pixel counts but underestimate their "glass". They talk about higher resolution sensors but forget that it's the optics that resolve the image onto the film plate / sensor.

While it's better to have more pixels "with other things equal", in the real word all things are NOT equal. I've always maintained that a D30 with good glass is better that a newer model with cheaper glass. Plus, when one finally upgrades to the 2008 year model, your glass travels with you. (Not to mention the greater user control on the D30 than the 300D / Rebel).

As for the bigger is better nonsense, I guess all photographers should sell their 35mm and buy medium format. And all medium format users should sell their cameras and get 4x5 cameras. And all 4x5 users should sell those and get 8x10 cameras. And...
 
I'm sold ...

i've got the money ready all nikon needs to do now is ship it to us.

the reality is ... the cost of high quality film stock, and taking it to a lab for processing has been prohibitive for me in really experimenting with framing and lighting conditions.

being that i already have nikon mount glass, the logical step seems like i should go with nikon.

the cost of the D70 set-up is a nice price ... and i can still afford to upgrade to some good glass for the price.

like the other posters have said ... the tool is not as important as user ... but in this case the new tool will allow the user to continue doing what he does.
 
Originally posted by revenuee
I'm sold ...

i've got the money ready all nikon needs to do now is ship it to us.

the reality is ... the cost of high quality film stock, and taking it to a lab for processing has been prohibitive for me in really experimenting with framing and lighting conditions.

being that i already have nikon mount glass, the logical step seems like i should go with nikon.

the cost of the D70 set-up is a nice price ... and i can still afford to upgrade to some good glass for the price.

like the other posters have said ... the tool is not as important as user ... but in this case the new tool will allow the user to continue doing what he does.

You got it right about the tool and the user.

I gotta say though, I think you'll dig the D70 and it's feature set. Put some good nikon glass... and BOOM!

Who are you using for reprints? I have an interesting (if you didn't know about it) recommendation... lemme know if you want it.

m
 
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