Wwaad?
I currently use an FM3a........
He'd smack you alongside the head, and say 'focus on the image, not the tools'.
And, by the way, you haven't said anything that I couldn't have invented after 10 minutes of Yahoo! (avoid Google, they're the next evil monopoly) searches. (In a recent attic cleanup, I tossed all of my Cibachrome wet darkroom gear - haven't mixed chemicals in 20 years, not going to do it anytime soon...)
The only way for you to get any cred at this point is to give us the URLs for some of your gallery exhibitions. Without that, we'll all consider you a poser.
...unless you work with analogue cameras...
Umm, "silver cameras" are not analog in the slightest. The film is covered with molecules of silver halides, which trap photons when exposed. During the process of developing the film, the chemicals separate out the "1's" (the molecules which have trapped a photon) from the "0's" (those that haven't).
The notion of "grain" in photography inherently backs up the notion that silver cameras aren't analog.
[This explanation is for black&white silver photography, the chemistry for color is different - but has the notion of some molecules catching a photon and changing color.]
Anyway, I'm taking Aiden's advice. You're clearly here to troll and mouth off about anything while knowing nothing.
I couldn't resist taunting the troll one more time...
Oh, no doubt. It is pretty amazing how fast this thing hit 50 pages.
You must be reading in the "delicious future" - I only see 32 pages....