Can't say that I don't like the fact that in two of the Avengers comics I'm pulling Cap died or was put to sleep. Not that big fan of Cap and his "speeches" 😀
Started to see some (older) horror flics lately. Finished Fulci's House by the Cemetery yesterday and while it's a good piece of Italian horror schlock, which isn't genuinely scary in the first place (imo), I must say the ending really depressed me. Reminds me also a lot to some H.P. Lovecraft stories. Demons by Lamberto Brava was awesome, shot in West-Berlin during the 80s. Starts at the same metro station I took for years when going to school each day..😀 Also starring Tony the Pimp (Bobby Rhodes) who is probably the coolest .... in town.
Frigth Night was pure boredom. Can't fathom all the glorious praise it receives on imdb, must be nostalgia I guess.
Flesh For Frankenstein (aka Warhol's Frankenstein) is the perfect b-movie for me featuring young Udo Kier, Joe D'allessandro and directed by Paul Morrisey. Highly entertaining but sports some really bloody actions - kind of appropriate considering it's a Frankenstain flic. I prefer Blood for Dracular, which was shot directly afterwards and features almost the very same cast and both have a beautiful score and screenplay. Featuring the then 9yo Nicoletta Elmi who actually played within quite a few seminal horror flics (Profondo Rosso, Demons, this one).
Hallooween I+II, never seen before and not my favorites but not bad as well. Haunting score of course. I like the second movie even slightly better, but they form one piece of work anyway.
Probably forgot some flics but that's it for now. Stay tuned. 😀
Is House by the Cemetery your first Fulci? If yes, definitely seek out Zombi, The Beyond, City of the Living Dead and the Argentoesque giallo, A Woman in a Lizard's Skin. City has some of the most disgusting visuals I've ever seen and I still hear one of them from time to time (thanks Lucio!) - but it's also a very weird tangent on the Gates of Hell concept.
I've never seen House because it sounded exactly the way you described LOL.
Demons > I'm glad you liked that. For some reason it still scares me. Not for the FX but I suppose the whole argument of violent movies corrupting people is taken to it's logical extreme. And Michele Soavi's masked man was really damn creepy. Fun that you recognized the metro too.
If I can ever find those Warhols cheap I'll jump.
For me, Doctor Loomis was the most interesting element of Halloween. There was speculation that Michael was possessed by a violent Celtic spirit (I think that was in the novelization of Halloween, I have not read it so...)
Read an article in Entertainment Weekly about the 2014 reboot of Godzilla saying (paraphrased), "Godzilla has been done wrong plenty of times including the 1998 version" starring Matthew Broderick.
Huh? I love that movie. The Godzilla in the 2014 version has a decidedly retro man in rubber suit look and I'm not sure if I like that. Will have to see this movie to evaluate.
I was not a fan of the 1998 I'll admit, that's cool you like it. The 1998 is not loved from what I've seen. I enjoy the man in suit Toho Godzillas and I am very curious about how this one is going to play out. Not sure if I'll see it theatrically though.
Right now, I'm listening to The Ten Commandments. A couple of minutes of dialog between Moses and Ramses reminds me of how great movies can be. I'll always make time for Charleton Heston epics.
Earlier this week I watched
Badasssss! Mario Van Peeples homage to his father Melvin's Sweet Sweetback Badasss Song. It was interesting to see the trials Melvin (Mario playing his dad) went through to get that movie made.
Saw
Hero again. Yimou Zhang's period martial arts epics are beautiful, cruel and character driven wonders. My favorite remains The Curse of the Golden Flower, but I really appreciate how the color schemes in Hero went in tandem with the characters and plot.
And, yes, Captain America: The Winter Soldier. Again. I suspect I'll see this one several more times theatrically, esp. since both the Cap and WS comics stink right now.