BLASPHEMY
I just watched The Beyond the other day and found it actually better than the first time. And dare you not say anything bad against Zombi!!
Fulci is watching you through his thick lenses.


As long as he has early 1970s Jean Sorel watching me too, the ghost of Maestro Fulci can glare at me all he wants, but I refuse to cry bloody tears.

Now giallo tears, maybe.
The Beyond: I think it is a mildly disturbing movie on the fear of death and the afterlife (an eternal limbo of desolation), and the ending is brilliant. Yet, I was giggling through the whole thing; most of the make ups were terrible (though the acid to the face was very well done), and the reactions were

. That red haired girl in the morgue - yikes!
City... the makeups were largely crap, though Catrina MacColl is fantastic and I liked the core store though the execution wasn’t quite there. Michele Soavi’s zombie (“Tommy Fisher”) had me in tears (not bloody) though. Still, like
The Beyond, people have the weirdest (and unintentionally funny reactions to the horrifying things going on around them).
Perhaps this was Fulci’s way of detaching himself from death and almost making fun of it? Plus, his history as a heart doctor meant he could go into gory details and he often did. I understand the appeal, I loved these for many years, but laughing as hard as I did during both movies surprised me.
If you haven’t seen Lucio’s giallos yet, you’re in for a major treat.
Perversion Story, A Woman in a Lizard’s Skin and
Don’t Torture a Duckling are all excellent and brutal (psychologically and in some cases physical too). The latter two have great blu ray options now and
Perversion Story is coming. Can’t wait to see that one again.
I need to watch Arrow’s blu of Duckling all the way through. It looks beautiful (for such an ugly movie). Looking forward to watching it again.
