It must have been recorded in Sweden or something. There are no mountains in Denmark.
I'm not talking about the actors, I'm saying the decor and street scenes extras and such London is one of the most ethnically diverse cities.
Stepney, Lock Stock and Two smocking barrels.
The Bangladeshi community settling in the East End from the 1960s. The area still contains a range of immigrants, particularly young Asian families, as well as elderly East Enders, some students, and the beginnings of a young middle class. Based on 2001 census, Bangladeshis were the largest ethnic group (43%), then the White British (39%).
https://en.wikipedia.org/wiki/Stepney
It's just like when they filmed Oceans 12 in Amsterdam, in the street scenes on the 9 Straten, none of the extras were real Amsterdam people.
Just saw Django which was good, GI Joe which was good and Oblivion which sucked
Has anyone seen the latest 'Star Trek' movie (the second in the 'new' 'prequel' series, with Zachary Quinto as a very impressive younger Mr Spock and Chris Pine as a cocky young W.T. Kirk?)
The Guardian gave it an excellent review yesterday - a source which commends itself to me - and I must say I really enjoyed the first of this series when I saw it a few years ago.
LA Confidential - Hopefully the first Russell Crowe I'll like, but Spacey, DeVito and Kim Basinger will make up for it anyway. The young Crowe looks actually exactly like a 'drunk' Shia LeBeouf.
Ah, now. That movie. Well, well.
After it came out, I had read reviews, and later, also heard reports from people which had seen it who raved about the movie. Then, I watched it, and, for quite a while, I wondered what the point was. I remember I was on the verge of leaving, and dismissing it as incomprehensible and self-indulgent, and asking myself just exactly what all the fuss was about, when, in a pivotal scene, everything fell into place. After that, I couldn't tear myself away, and the ending is predictably superb.
Kevin Spacey, Danny De Villo, Guy Pearce and Kim Basinger are all (predictably) excellent; so, actually, - perhaps surprisingly - is Russell Crowe. And James Cromwell, (whom I had the privilege of seeing play live, on stage, in an outstanding version of Long Day's Journey Into Night), is spell-binding.
Costumes, cars, settings, ambience music - and above, all, multi-layered period nuance - are all terrific - this is an utterly compelling movie, and one of the few I would readily watch again. And again. I think you'll enjoy it.
Perhaps one might say that this is an example of the right actor for the right part...I, too, thought he was fine in this. Not so much in some other part.
Serendipitous casting...![]()
When I think of right actor for the part, I think of Crowe in Gladiator (best picture). Wow.![]()
Don't let Twietee hear you say that.
When I think of right actor for the part, I think of Crowe in Gladiator (best picture). Wow.![]()
Don't let Twietee hear you say that.
Haha...he just made it onto my ignore list![]()
Never saw Gladiator actually. But agree with scepticalscibe; great movie all around. I did know the ending already, but could enjoy it nonetheless. Always a good sign for quality.
Btw, Pluto, you've finally seen Ghost in the Shell? Hope you enjoyed it as much as I did.
^ just noticed OldMuley's post. Bela Lugosi still made movies in the 90s?? How was it, quite curious?!
Haha...he just made it onto my ignore list![]()
^ just noticed OldMuley's post. Bela Lugosi still made movies in the 90s?? How was it, quite curious?!
.........
^ just noticed OldMuley's post. Bela Lugosi still made movies in the 90s?? How was it, quite curious?!
If he made a movie in 1990, then he really was nosferatu, since he died in 1956!!!
"Voodoo Man" was 1944...a little typo there...
Hm. Good entertainment, but ah, a movie which I simply couldn't believe in. The old theory of theatre/movies - the so-called 'willing suspension of disbelief' could not be invoked by Gladiator. I recognise that it can work as entertainment, but just could not actually believe it.....
:
Guffaws with laughter; brilliant.
Mind you, I am always surprised when someone who was an - say, a cinematic icon decades earlier dies and you realise that they had been around (just not so visible) for quite some time.
On Nosferatu, I know we mentioned it ages ago, but I recall being absolutely mesmerised, stunned and utterly transported when I saw the original 'The Cabinet of Dr Caligari' as an undergrad at an art-house university screening a quarter of a century ago. It was simply spellbinding and quite brilliant - and I was awestruck that a movie made in 1919 could be so flawlessly superb.