Surely, there must be a difference between a lens and a license! I can’t put my finger on it. It’s got to do something with ice?Photographer: Doesn't blink at spending $1500-5000 on a new lens ... Freaks out at having to pay Adobe a couple hundred bucks a year.
I never bothered going to the Adobe site but now that you show this graphic, I remember seeing this when I was signing up for the plan. I specifically chose the 20GB plan because of the price increase.Umm... This isn't a price increase.
yuck, I dont know how this company is still around and able to continue this bs. When subscriptions first came out creative and marketing were not please because licensing was initially a p.i.a, but with all these large creative depts. and organizations supplementing seat licensing, the typical end-user, educator, student etc should not pay the same pricing/fees attributed to enterprise. this subscription **** is getting out of hand. I just want to be able to just a product I bought im sick of long term rentals.
If people need more stuff out of the Creative Cloud, the lock-in is much more real though (there's no competition for After Effects in its niche at all, and if you need a simple one-stop solution that again is cross-platform Premiere/After Effects is impossible to get around.)
Your description is valid for a small part of photographers. Either pro or just a rich one. Most photographers don’t spend as you described. Also big difference between one time purchase and subscription.The comments are going to be filled with a lot of upset users.
Photographer: Doesn't blink at spending $1500-5000 on a new lens, or $3000-5000 on a new camera body, or $300-800 on a new tripod, or $400-900 on a new flash, or $150 a pop on new UHS-II SD cards, or $800-3000 on a Thunderbolt RAID setup and SSDs, or $3000-7000 on a new Mac, or $800-2000 on a second and third display, or thousands of dollars on lighting equipment and backdrops and travel and paying models and grips.
Also photographer: Freaks out at having to pay Adobe a couple hundred bucks a year to edit, organize, share, and store all of their photos.
Y'all suck.
I am a hobby photographer and I don’t even use LR every week, so difficult to justify any subscription. Doubling the price? No thanks.
Btw I don’t need PS but LR CC is poor for mass edit and export, so still need LR Classic.
Important lesson. Don’t get married.That's not really the way it goes and you know it.
Photographer: reads review for a fancy new lens. Deliberates about it for 2 years; finally decides to ask the wife. Two more years pass and as he combines 2 birthdays, major anniversary and 2 christmases to finally be allowed to buy said lens. In the meantime, that camera body is getting old. Goes to sell left kidney, but realizes that he lost that back in 2013 when he made the mistake of buying a "Trash Can" Mac Pro.
In the meantime, catches "The Speech" from the wife when she sees YA monthly Adobe subscription fee on the credit card bill and reminds the Photographer that he hasn't touched any of the pics from six months when the family went to Disney .. and that her sister's husband gets just fine results from just the kiosk down at COSTCO.
As their are a number of alternative applications with (for most use cases) perfect compatibility, such as Affinity Photo, that is no longer true.Photoshop via subscription is a life sucking abyss. Adobe owns all your images until eternity if you ever save them out as .psd.
You'd be surprised. I just recently had several independent discussions with a couple of professional art designers who all are sick to death of Adobe's crap. The term "extertion scheme" was used more than once. They all independently confirmed that more and more agencies are jumping ship, mostly switching to Affinity.No, I bet the pro photographers you mention don’t bat much of an eye at Adobe’s cost of managing their photos, as it is their livelihood.
You'd be surprised. I just recently had several independent discussions with a couple of professional art designers who all are sick to death of Adobe's crap. The term "extertion scheme" was used more than once. They all independently confirmed that more and more agencies are jumping ship, mostly switching to Affinity.
Probably because they make much more money this way.....Why don’t Adobe just sell their software for a one time fee that grants you a license for life? You know, how software used to be sold, and like how people want to pay for their software?
They will, quietly, until you pay attention to your bank account statement.I checked mine and it's still 9.99. If they raise it, I'm out. Dropping that like a hot potato.
The comments are going to be filled with a lot of upset users.
Photographer: Doesn't blink at spending $1500-5000 on a new lens, or $3000-5000 on a new camera body, or $300-800 on a new tripod, or $400-900 on a new flash, or $150 a pop on new UHS-II SD cards, or $800-3000 on a Thunderbolt RAID setup and SSDs, or $3000-7000 on a new Mac, or $800-2000 on a second and third display, or thousands of dollars on lighting equipment and backdrops and travel and paying models and grips.
Also photographer: Freaks out at having to pay Adobe a couple hundred bucks a year to edit, organize, share, and store all of their photos.
Y'all suck.
They will, quietly, until you pay attention to your bank account statement.
My student plan started from $15.99/mo, then raised to $25.99, then $31.99, within a year. Then, one day, I saw a whopping $51.99/mo. I was like m..k? Immediately cancelled and re-subbed to the same plan so that the price was $28.99/mo. Borderline ridiculous.
It makes sense that the tools used to generate income cost relative to the income they generate.
We’re getting subscriptioned to death.![]()
I don't mind paying a premium for apps that offer me that kind of value, even though it may be difficult to translate that into additional income earned in the real world.
Possibly the term "art designer" was too specific, as a good portion of the people I talked to are in fact also doing photography professionally. All of them pointed out that they have pretty much zero difficulties of exchanging files with Photoshop and Illustrator users, as Serif's applications are more than compatible enough to the "industry standards".Art designers, and photography professionals are not equal.
An art designer could profit from designs using a pencil and a sheet of paper. Their tools are a matter of preference rather than industry standard. Granted, some art designers indeed are limited to industry standards, and those people are not switching to Affinity. Pro photographers who are used to Lightroom Classic, will continue to use it even in the case of a price hike. Many pros moved over to Capture One for shoots (so they are already away from the Adobe standard for core work), but they still pay for and use Lightroom classic for organization if that’s what they are used to. Pro photographers will not skip a beat.