You pay for the value provided, not the wealth (or lack there of) of the provider. How do you think they became a 2 trillion dollar company?No. I'd pay 50 for the app, to own, but not 50 a year to a literal 2 TRILLION-dollar company. Hell. no.
You pay for the value provided, not the wealth (or lack there of) of the provider. How do you think they became a 2 trillion dollar company?No. I'd pay 50 for the app, to own, but not 50 a year to a literal 2 TRILLION-dollar company. Hell. no.
The Files app will connect to several third-party cloud providers or to your own NAS.Fair point. But Apple is now making professional applications that requires a professional storage system. Their move.
Because it's not good press. They want this to be washed away with any hype that comes from WWDC.why didn't they save this for wwcd I wonder?
I own for FCP and Logic. Am I still going to have to pay for these mobile versions?
Apple today announced that Final Cut Pro and Logic Pro are coming to the iPad later this month via subscription models.
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Apple says that Final Cut Pro and Logic Pro feature all-new touch interfaces that take advantage of multi-touch on the iPad:
Final Cut Pro and Logic Pro for the iPad will each be available for $4.99 per month or $49.99 per year, with a one-month free trial. Final Cut Pro requires an iPad with an M1 chip or newer, while Logic Pro requires an A12 Bionic iPad or newer. The apps will be available on the App Store starting on Tuesday, May 23.
Final Cut Pro
Final Cut Pro includes a digital jog wheel to navigate the Magnetic Timeline, move clips, and make frame-accurate edits. Live drawing allows users to draw and write directly on top of video content with the Apple Pencil, with support for Apple Pencil hover to skim and preview footage. Key commands are enabled when using an external keyboard. Final Cut Pro on iPad also supports the 12.9-inch iPad Pro's Reference Mode for color accurate editing.
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Machine learning features include Scene Removal Mask to quickly remove or replace backgrounds without using a green screen, Auto Crop for adjusting footage for vertical, square, and other aspect ratios, and Voice Isolation to remove background noise easily.
The app includes a library of graphics, effects, and audio, including HDR backgrounds, animated patterns, and soundtracks that automatically adjust to the duration of a video.
Pro camera mode allows creators to shoot video in Final Cut Pro in landscape or portrait, monitor audio and recording time, and manually control settings like exposure, white balance, and focus. Multicam video editing automatically synchronizes clips for editing together, making it possible to switch angles with a single touch.
Media can be imported from Files or Photos and saved directly inside a Final Cut Pro project. The app also supports import of projects created in iMovie, and users can export Final Cut Pro projects made on iPad to the Mac.
Logic Pro
Logic Pro for the iPad uses a range of multi-touch gestures to play software instruments and and navigate projects. The Apple Pencil facilitates precision edits and detailed drawn track automation. Like Final Cut Pro, key commands are supported when using an external keyboard. Using the iPad's built-in microphones, users can also capture audio directly in the app.
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The app has a full-featured mixer with channel strips, volume faders, pan controls, plug‑ins, sends, and precise automation. Multi-touch lets creators move and mix multiple faders at once, and the mixer meter bridge lets them navigate an overview of track levels.
An all-new sound browser with dynamic filtering helps creators explore all available instrument patches, audio patches, plug‑in presets, samples, and loops in one location. Users can simply tap to listen to any sound before adding it to a project.
The app includes over 100 instruments and effect plug-ins, with plug-in tiles for the most important controls. Production tools enable users to chop and flip samples, program beats and bass lines, and create custom drum kits.
A new time and pitch-morphing plug-in called Beat Breaker allows creators to swipe and pinch to reshape and shuffle sounds. The Quick Sampler can chop and transform samples into new playable instruments, while Step Sequencer lets users program drum patterns, bass lines, and melodies, and automate plug‑ins. Drum Machine Designer offers the ability to create custom drum kits by applying samples and plug‑ins to any drum pad. Using Live Loops, users can quickly build arrangements.
Logic Pro for the iPad supports roundtrip capabilities to move projects between Logic Pro for the Mac and iPad. iPad users can export completed... Click here to read rest of article
Article Link: Apple Announces Final Cut Pro and Logic Pro for iPad With Subscription Models
Because Apple knows the subscription model is a no no and they don't want that mojo during their expo.why didn't they save this for wwcd I wonder?
Indeed. I only need to use FCP maybe once a year, and I currently have a second-hand DVD version running on a 32-bit machine that's very long in the tooth. I'd love to see a rental option on the Mac for people like me who only need it once in a blue moon.I just love the stupid argument people are making. “Omg. Subscription? Yuck. Paying $300 is way better. That’s 6 years worth of subscriptions!”
Yeah…what if you don’t need 6 years worth of editing and to pay for ALL that right now. I might just wanna edit a wedding video or something real quick and cancel. Then I’m only a whopping…$5 in.
How would that help you in obtaining subscription based apps legally ?I never use subscription apps. It’s just not how I roll. I think it’s time to look for jailbreaks again.
I just love the stupid argument people are making. “Omg. Subscription? Yuck. Paying $300 is way better. That’s 6 years worth of subscriptions!”
Yeah…what if you don’t need 6 years worth of editing and to pay for ALL that right now. I might just wanna edit a wedding video or something real quick and cancel. Then I’m only a whopping…$5 in.
NEXT will be Adobe Premiere for the iPad.
Apple today announced that Final Cut Pro and Logic Pro are coming to the iPad later this month via subscription models.
![]()
Apple says that Final Cut Pro and Logic Pro feature all-new touch interfaces that take advantage of multi-touch on the iPad:Final Cut Pro and Logic Pro for the iPad will each be available for $4.99 per month or $49.99 per year, with a one-month free trial. Final Cut Pro requires an iPad with an M1 chip or newer, while Logic Pro requires an A12 Bionic iPad or newer. The apps will be available on the App Store starting on Tuesday, May 23.
Final Cut Pro
Final Cut Pro includes a digital jog wheel to navigate the Magnetic Timeline, move clips, and make frame-accurate edits. Live drawing allows users to draw and write directly on top of video content with the Apple Pencil, with support for Apple Pencil hover to skim and preview footage. Key commands are enabled when using an external keyboard. Final Cut Pro on iPad also supports the 12.9-inch iPad Pro's Reference Mode for color accurate editing.
![]()
Machine learning features include Scene Removal Mask to quickly remove or replace backgrounds without using a green screen, Auto Crop for adjusting footage for vertical, square, and other aspect ratios, and Voice Isolation to remove background noise easily.
The app includes a library of graphics, effects, and audio, including HDR backgrounds, animated patterns, and soundtracks that automatically adjust to the duration of a video.
Pro camera mode allows creators to shoot video in Final Cut Pro in landscape or portrait, monitor audio and recording time, and manually control settings like exposure, white balance, and focus. Multicam video editing automatically synchronizes clips for editing together, making it possible to switch angles with a single touch.
Media can be imported from Files or Photos and saved directly inside a Final Cut Pro project. The app also supports import of projects created in iMovie, and users can export Final Cut Pro projects made on iPad to the Mac.
Logic Pro
Logic Pro for the iPad uses a range of multi-touch gestures to play software instruments and and navigate projects. The Apple Pencil facilitates precision edits and detailed drawn track automation. Like Final Cut Pro, key commands are supported when using an external keyboard. Using the iPad's built-in microphones, users can also capture audio directly in the app.
![]()
The app has a full-featured mixer with channel strips, volume faders, pan controls, plug‑ins, sends, and precise automation. Multi-touch lets creators move and mix multiple faders at once, and the mixer meter bridge lets them navigate an overview of track levels.
An all-new sound browser with dynamic filtering helps creators explore all available instrument patches, audio patches, plug‑in presets, samples, and loops in one location. Users can simply tap to listen to any sound before adding it to a project.
The app includes over 100 instruments and effect plug-ins, with plug-in tiles for the most important controls. Production tools enable users to chop and flip samples, program beats and bass lines, and create custom drum kits.
A new time and pitch-morphing plug-in called Beat Breaker allows creators to swipe and pinch to reshape and shuffle sounds. The Quick Sampler can chop and transform samples into new playable instruments, while Step Sequencer lets users program drum patterns, bass lines, and melodies, and automate plug‑ins. Drum Machine Designer offers the ability to create custom drum kits by applying samples and plug‑ins to any drum pad. Using Live Loops, users can quickly build arrangements.
Logic Pro for the iPad supports roundtrip capabilities to move projects between Logic Pro for the Mac and iPad. iPad users can export completed songs in multiple lossless and compressed formats, as well as individual audio track stems. Creators can make a soundtrack in Logic Pro and export it into Final Cut Pro when working across music and video. Logic Pro for the iPad also supports the ability to open GarageBand projects.
Article Link: Apple Announces Final Cut Pro and Logic Pro for iPad With Subscription Models
Indeed! I figured this would’ve been a WWDC showing but with no mention of using VST’s showers what they’ve needed to do.Well... That was unexpected.
Let's hope. Otherwise, let's BUYcott!It’s a long way to May 23rd. I’ll bet anything that Apple bends the knee and adds one time $300 payment.
Good for you. Cancel any time. It's, after all, Gen Cancel.Yes. I’m a 39 year old kid. What do I know? Only that if I hear a song I like, I don’t have to buy it. If I browse playlists, I can have anything I want. All for a flat fee vs a limited pathetic little music collection I had in the 90’s.
Totally. But yeah. $300 software I might only use every now and then is a way better deal than a $5 a month thing I can cancel whenever I don’t use it
Let's hope. Otherwise, let's BUYcott!
Not really. You could keep on using the version you had, unless an OS update broke it (something Microsoft deliberately did to Quattro Pro and Word Perfect). Then you had to buy an upgrade.Me either @TheYayAreaLiving 🎗️ more greed on part of Apple like most tech companies. Sorta back to the future also. Early days of computing you just rented and never owned software and had to pay upgrade fees (subscriptions) or software would not work.
Requires? I’m sure the videos I have in iMovie for iPad could be edited within the 2TB of storage I have. It’s more the project that may require a professional storage system, not the app.Fair point. But Apple is now making professional applications that requires a professional storage system. Their move.
ONLY if you want to run FCP and Logic on an iPad for more than the free month trial. Otherwise, no you don’t have to pay for them.I own for FCP and Logic. Am I still going to have to pay for these mobile versions?
Steve Jobs, April 28, 2003:
'These services treat you like a criminal. And they are subscription based and we think subscriptions are the wrong path. One of the reasons we think this is because people bought their music for as long as we can remember. We bought our music on LPs, we bought our music on cassettes, we bought our music on CDs. And we think people want to buy their music on the internet by buying downloads just like they bought LPs, just like they bought cassettes, just like they bought CDs. They’re used to buying their music, and they’re used to getting a broad set of rights with it. When you own your music it never goes away. When you own your music you have a broad set of personal use rights — you can listen to it however you want.'