Well did you expect them to just give away their program for free?
Yeah, no sale if so for me!Subscription based, no doubt...![]()
I mentioned Affinity Photo which is a single purchase, not a subscription which I do not like. Adobe does subscriptions. I buy apps I use, I do not rent them.
Make no mistake: Adobe sees the future and migrating its flagship application to iPad is an endorsement of the device as where the industry will be in for the long term.
The future of professional photography post production is on the iPad and the iPhone, not the Mac. We’ve all seen the resistance to this concept every time someone says that the iPad is a consumption device. Yet, as a professional photographer, I’ve been living it and proving them wrong. I’ve been using my iPad Pro as my primary editing device for 2 years now. I didn’t replace my MacBook Pro and let it sit in a drawer (haven’t seen it in months).
What makes this possible is Adobe Cloud. Cloud editing is seriously fantastic for a professional. I shoot, then wirelessly upload from my camera to my iPhone X on location. I do some culling on my iPhone X, edit and share a few photos from the field, then get to my iPad Pro back in my studio where the photos are waiting for me with the applied edits. I do most of the editing work on the iPad Pro, directly manipulating photos, then swiping to the next one. It’s way faster than a mouse based process. I go to my iMac to finalize everything and upload the photos to my site with a plugin, ready for the client to download. If I notice something after uploading and make any changes on any of my devices, the files on my site also update.
It works seamlessly and incredibly well, with each device used according to its strengths. Increasingly, the Mac has fewer and fewer advantages over the iPad Pro in this workflow. I spend the least amount of time on my iMac, using it only for local storage and uploading hi-res files to my site. It’s a step I can skip when I decide to go full Cloud.
This is their #1 goal in their strategy for this decade: to phase out MacOS in favor of iOS. When they get most photo+media apps running in the iPad, they’ll reach the goal. And it’s their #1 goal because Apple bases its current business in services, and iOS is great for getting money from services (the user has less control/freedom), while MacOS is not as profitable for such task (the user has more control/freedom, so more chances for avoiding services).
Make no mistake: Adobe sees the future and migrating its flagship application to iPad is an endorsement of the device as where the industry will be in for the long term.
The future of professional photography post production is on the iPad and the iPhone, not the Mac. We’ve all seen the resistance to this concept every time someone says that the iPad is a consumption device. Yet, as a professional photographer, I’ve been living it and proving them wrong. I’ve been using my iPad Pro as my primary editing device for 2 years now. I didn’t replace my MacBook Pro and let it sit in a drawer (haven’t seen it in months).
What makes this possible is Adobe Cloud. Cloud editing is seriously fantastic for a professional. I shoot, then wirelessly upload from my camera to my iPhone X on location. I do some culling on my iPhone X, edit and share a few photos from the field, then get to my iPad Pro back in my studio where the photos are waiting for me with the applied edits. I do most of the editing work on the iPad Pro, directly manipulating photos, then swiping to the next one. It’s way faster than a mouse based process. I go to my iMac to finalize everything and upload the photos to my site with a plugin, ready for the client to download. If I notice something after uploading and make any changes on any of my devices, the files on my site also update.
It works seamlessly and incredibly well, with each device used according to its strengths. Increasingly, the Mac has fewer and fewer advantages over the iPad Pro in this workflow. I spend the least amount of time on my iMac, using it only for local storage and uploading hi-res files to my site. It’s a step I can skip when I decide to go full Cloud.
I believe PS will work great, but how about the file structure? How about some easy access
to those files? An SD card with simple, old-fashioned "copy" working?
Am I gonna be forced to use iTunes to transfer my PSDs? Seriously?
I hope they are not gonna use iCloud for those 3GB files? Auto-save
First they dumb down the iOS and now they are trying to make it look "professional".
I agree, I’m the same way. But knowing the business practices already put forth by Adobe through the years one shouldn’t be shocked no?
If a customer already is paying for a photoshop subscription is this included ? I would assume it is. But to pay a second subscription price to use the full mobile version is a bit tough to swallow.
And Chrome is nothing more than a web browser.![]()
The current Apple business model is all about services. iOS is designed precisely for getting money from services. So, you can be sure they’ll do everything they can for making all MacOS users migrate to iOS. And this implies porting all Mac apps to iOS. They are at that point right now. Adobe is the first, but it’s of key importance for pushing iOS.I can't see how the iPad can replace the desktop MacOS for every professional app.
Imagine Apple working on creating a better experience for professionals on platforms professionals actually use... like desktops?
Seriously... iPads?
Apple and adobe in bed - Apple is becoming a friendly Microsoft , smile and wave boys .... smile and wave![]()
This is an interesting development for sure. Full featured apps on iPad/iOS rather than cut down versions.
The thing that worries me with this trend is whether Pro audio apps will be able to run on iPad in this way. - There are a load more things to consider, such as Audio I/O and supporting a bunch of external hardware audio interfaces etc. I can't see how the iPad can replace the desktop MacOS for every professional app.
I welcome Photoshop on iOS, I'm just not convinced that this can be replicated for every app without mouse/keyboard and external hardware support.
I'm fairly sure Adobe will bundle it in under any of the subscription plans which include photoshop, I don't expect them to charge extra for it. This is the 'benefit' of Adobe's subscription model, they rake in more money to spend creating products like this. I however am another person who doesn't want to be locked into paying Adobe for the rest of my life to access the photos I developed in Lightroom or touched up with PS nor pay them more for cloud storage to keep them all online and editable, so even though they make the best products, unless they start selling them again as standalone with reasonable support for a version and a choice to upgrade, I'm going to keep using something else.I wasn’t shocked, but it’s all good. No worries. You make some good points especially on a potential second subscription price which would be massive amounts of ugh on top of their existing subscription model.
Imagine Apple working on creating a better experience for professionals on platforms professionals actually use... like desktops?
Seriously... iPads?
Huh? A monitor-sized iPad for video editing? I’m not a videographer, but what would be the advantages? The iPad would have to be vertical, which Apple dismissed as poor ergonomics when it criticized touchscreen monitors.I foresee a desktop iPad in the near future. Some apps require large surfaces. Audio may be one of those. A 27” tabletop iPad might be the solution for audio pros. I have a 12.9” iPad Pro which suffices for photography — it’s effectively like working directly on an 8 x 10 print. For video (Final Cut Pro X of iOS), it may be that the next generation iPad Pro with USB-C external display support might do the trick with video on the screen and the timeline on the iPad but I think that a very large desktop iPad might be needed to convert professional video editors. That USB-C will solve the I/O problem that you mention. You’ll be able to plug any audio devices into an iPad Pro that you plug into your Mac today.