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A very nice portrait that captures a good sense of personality. The light on him is quite good; did you use your "new" 580 EX II? It's a pity that bright lamp has to be in the frame, but I don't see any easy way of removing it from the image. I really like the soft blue of the sky out the window and the way it echoes the blues in the upholstery of the couch--the cool hues really set off the warm ones here.

Thank you very much P. This was done with the 420EX bounced off the popcorn ceiling. Their house is a disaster to shoot in because every light is a different color temperature(by a LOT), and if you don't have a light in the frame, then you have a TV or some random appliance. Whenever I'm there I always have some reason to shoot, and have fun doing it, but most of the photo's I've made need a lot of work. This was one of the few that worked rather well.

Also, while shooting that band in Montana a couple weeks ago, I quickly discovered that the only way to deal with the rapidly changing light was to switch over to Manual mode instead of my normal Av comfort zone. This experience finally made me a believer in the Manual Mode Lifestyle! It really was easier, and faster, to shoot in manual than it was in Av.

For today, my nephew giving my dad a stern talking to.

MG0160-XL.jpg
 
This experience finally made me a believer in the Manual Mode Lifestyle! It really was easier, and faster, to shoot in manual than it was in Av.

Welcome to the club. ;)

Mine for today is another one I dug out of my pile of unprocessed shots from autumn. Will be spending the rest of the day location scouting...that autumn pile is going to run out eventually! :eek:


ComingThrough.jpg
 
Also, while shooting that band in Montana a couple weeks ago, I quickly discovered that the only way to deal with the rapidly changing light was to switch over to Manual mode instead of my normal Av comfort zone. This experience finally made me a believer in the Manual Mode Lifestyle! It really was easier, and faster, to shoot in manual than it was in Av.

Using my camera in manual mode tends to put me in the right frame of mind for photography. It feels like I’m unhitching myself from all that technology (as represented by my Nikon D200, still a technological marvel to me...), allowing me to tune into the scene - what’s ‘out there’ - rather than fixating on the camera, which, at the moment the shutter opens, is really just a ‘window on the world’. I enjoy making small adjustments (shutter speeds, usually) as the light changes. I know that PP can do marvels, in terms of rescuing a shot that’s not exposed quite right; nevertheless, it’s fun to try and get it right ‘in camera’. More than fun, it keeps me on a learning curve. It’s a good discipline.

I can respond to changes in light quite quickly, because I limit myself to a small range of choices. If I started faffing around with all those exposure modes, and ‘exposure compensation‘ dials, etc, I would miss the shot...and get very frustrated. I don’t want to make photography any harder than it already is; I want to make it easier. So it floooooooows...

The direct relationship between apertures and shutter speeds (and now, in the digital age, ISO, which in the days of film used to be changed with every film, not every shot) is something that takes a little learning... like learning those half dozen basic chords on a guitar. But, once learned and understood, the world of photography opens out. But when we relinquish control of our equipment, our view narrows. We’re off that learning curve...

Hawkshead...

wheelchair.jpg
 
LumbermanSVO: Also, while shooting that band in Montana a couple weeks ago, I quickly discovered that the only way to deal with the rapidly changing light was to switch over to Manual mode instead of my normal Av comfort zone. This experience finally made me a believer in the Manual Mode Lifestyle! It really was easier, and faster, to shoot in manual than it was in Av.

Phrasikleia: Welcome to the club. ;)

Doylem: Using my camera in manual mode tends to put me in the right frame of mind for photography. It feels like I’m unhitching myself from all that technology (as represented by my Nikon D200, still a technological marvel to me...), allowing me to tune into the scene - what’s ‘out there’ - rather than fixating on the camera, which, at the moment the shutter opens, is really just a ‘window on the world’. I enjoy making small adjustments (shutter speeds, usually) as the light changes. I know that PP can do marvels, in terms of rescuing a shot that’s not exposed quite right; nevertheless, it’s fun to try and get it right ‘in camera’. More than fun, it keeps me on a learning curve. It’s a good discipline.

I can respond to changes in light quite quickly, because I limit myself to a small range of choices. If I started faffing around with all those exposure modes, and ‘exposure compensation‘ dials, etc, I would miss the shot...and get very frustrated. I don’t want to make photography any harder than it already is; I want to make it easier. So it floooooooows...

The direct relationship between apertures and shutter speeds (and now, in the digital age, ISO, which in the days of film used to be changed with every film, not every shot) is something that takes a little learning... like learning those half dozen basic chords on a guitar. But, once learned and understood, the world of photography opens out. But when we relinquish control of our equipment, our view narrows. We’re off that learning curve...


Although I will never claim to be on the same plane as Ms. P or Doylem, I'm glad Montana played a role in your moving out of your comfort zone and into the realm of manual mode. I exam every EXIF data on their pictures in hopes that their skills at capturing the beauty of light will some how jump through the keyboard of my laptop and into me.:eek: :) I am still trying to nail exposure correctly and find myself chimping like crazy and changing shutter speeds, etc. I just entered the world of histograms. I'm still on the front end of the learning curve on that one! Anyway, photography has always been a journey for those who get seduced and captured by that temptress. I, for one, am enjoying the ride and the images displayed on this site by the many talented people who share their photos, skills and knowledge with all of us.
 
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Peregrine falcon (birders, feel free to correct me if I'm wrong?), w/pigeon.
Nikon D700, Nikkor 24-70 f/2.8
f: 2.8, shutter: 1/4000, ISO 200, focal length 70mm
 
You could also try a variable ND filter for this kind of shot, that will reduce the need for F/25 and bring you back down to more normal apertures up to F/11 or so.

I had one with me but did not have the right size for my lens.
 
Using my camera in manual mode tends to put me in the right frame of mind for photography. It feels like I’m unhitching myself from all that technology (as represented by my Nikon D200, still a technological marvel to me...), allowing me to tune into the scene - what’s ‘out there’ - rather than fixating on the camera, which, at the moment the shutter opens, is really just a ‘window on the world’. I enjoy making small adjustments (shutter speeds, usually) as the light changes. I know that PP can do marvels, in terms of rescuing a shot that’s not exposed quite right; nevertheless, it’s fun to try and get it right ‘in camera’. More than fun, it keeps me on a learning curve. It’s a good discipline.

I can respond to changes in light quite quickly, because I limit myself to a small range of choices. If I started faffing around with all those exposure modes, and ‘exposure compensation‘ dials, etc, I would miss the shot...and get very frustrated. I don’t want to make photography any harder than it already is; I want to make it easier. So it floooooooows...

The direct relationship between apertures and shutter speeds (and now, in the digital age, ISO, which in the days of film used to be changed with every film, not every shot) is something that takes a little learning... like learning those half dozen basic chords on a guitar. But, once learned and understood, the world of photography opens out. But when we relinquish control of our equipment, our view narrows. We’re off that learning curve...

Hawkshead...

Image

I do use manual mode a lot. Once you know what you are doing with it, it's very easy and quick to make small changes on the run when light changes. A little more ISO, maybe a bigger aperture, etc.

Even though cameras are becoming more sophisticated - the automated modes and matrix metering are not a patch on what the talented photographer can do.
 
Londons Estate Sunrise Horizion..

Im not good at taking photos but woke up this morning and decided to take a photo of the sunrise from the 5th floor in my flats hanging halfway out my kitchen window to take this shot. i like it anyway..
 

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The rather wonderful Sandymouth Bay in Bude, Cornwall - during some equally wonderful British summer weather.

Eos 5d MkII, 17-40 f/4 L @ 21mm, iso 50*, f/22*, 1 second.


*I really should invest in a Lee Big Stopper - it'll make life easier!
 
While out getting ice cream last night, a couple drove up in a 1928 Model A.


1928 Model A by Gerg1967, on Flickr

Nice photo. I'm always attracted to photos of cars but on this one it's not so much the car but the "richness" of the shot. Not sure how to describe it but to me the photo is very "warm". Perhaps the wood steering wheel and the light hitting the dash. Cheers
 
Five years ago the National Folk Festival chose Butte, MT as a city to host this annual celebration of music and the arts. After a three year run they moved onto another city. But Butte chose to keep the festival going, which is now called the Montana Folk Festival. The uptown area is turned into one giant music festival with 7 stages and 50+ musical venues, venders and food stands of all types. The music includes everything from blues to rockabilly to exotic middle european types of music to zydeco bands to "kosher gospel." It's all FREE. This shot was taken early last evening as a storm front was moving in. Montanans are a hardy people, used to weather changing often. Everyone was prepared with rain gear and umbrellas. This is the main stage (now permanent) at the Original Mine; the first mine shaft sunk here where cooper mining was once king. While I was chimping this photo, a flash of lightning went off in the mountains to the south. Urgh, if I had waited about 3-5 more seconds from taking this shot I would have captured it. Oh well.. If your out this way next July stop on by.

folkfestival20120714394.jpg
 
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