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Excellent point,
I was going to write something similar but you beat me to it both in speed and eloquence. This is probably the major point being missed at this time and one where the studios behave the same as the labels.
The QOE (Quality of Experience) of a pirated hi-bitrate move is typically better than that of a purchased BR.
"Capitalistic Forces" as you put it have to be clever too ;)

The Studios neglect at their own peril the reports about how watching a pirated BD movie is a friendlier-to-consumer experience because it allows the viewers to skip directly to the feature attraction, whereas the legal copies do not, and rudely impose non-skippable trailers and advertisements, which is being utterly disrespectful of their customer.

In a truly competitive marketplace, we would say that "Capitalistic Forces" should rapidly correct this inefficiency in servicing the consumer. However, because of the IP Laws that gives the IP holder a legal marketplace monopoly, this imbalance does not get corrected. Thus, the seeds of "Social Injustice" are sewn which may very well rationalize counteracting an "unjust" restriction on IP through civil disobedience. Please note that I'm not condoning such behavior, but seeking to understand & explain it.
-hh
 
Totally agree about the annoyance and irony of the unskippable BS on movies. It makes me wonder what the streaming/iTunes movies are/will be like. Are you forced to watch all that when you watch a streaming movie? (I wouldn't know, as I only watched one or two a while back, and don't recall.) If so, I hope that junk isn't charged to your bandwidth useage, for those with caps.
 
This is the reason why I use HandBrake & MakeMKV. Plus I use to buy iTunes movies because it didn't have any of the junk on DVDs/Blu-rays, until I made my Mac Mini HTPC with Plex. The MPAA really needs to look on how they make money. Is it really from disk sales or online content.

It IMHO disk aren't going away anytime in the future. Most ISPs around the world (and now in America) are going the way of bandwidth caps and this will put the brakes on most Internet video. :mad:
 
Optical Drives Are So Yesteryear

It looks like I am not the only one that calls optical drives old technology. LOL

the new MacBook Airs only serve to fortify claims that the design of the new portables can be seen as a harbinger for the future direction of Apple's other notebook families, which are similarly expected to adopt smaller footprints and shed yesteryear technologies -- such as hard disk and optical drives -- by the second half of 2012.

http://www.appleinsider.com/article...book_airs_in_new_notebooks_first_quarter.html
 
You can also use an iPad or iPhone as a remote control/mouse/keyboard for a HTPC.

http://www.mobilemouse.com/

You know, to watch decent quality Blu-Ray content.



I still buy discs, if only to rip them.

But sadly, this is true:

GxzeV.jpg


I especially love the annoying "don't pirate this movie" forced trailers that PAYING CUSTOMERS have to suffer through with no option to fast forward but the pirates skip entirely.

http://www.youtube.com/watch?v=l5SmrHNWhak

Yeah, it's indeed annoying. But thanks to some programs such as TMT 3, you can skip to the next chapter until you arrive at the main feature menu. I find it more easy to do that, rather than rip the whole movie. Specially when i arrive at home after work tired and want just to relax a bit, without having to worry about setting up "this" and "that".
However, it's safe to say that even though we legally acquire the rights to watch a movie, we will always be somewhat enslaved by the "System". And those "subliminal" messages such as "don't pirate this movie", or "this Blu-Ray disc is copy-protected", or "in order to watch this movie, your Blu-Ray player has to be updated", or those unnecessary spots/trailers, are there to remind us of that.
 
It looks like I am not the only one that calls optical drives old technology. LOL



http://www.appleinsider.com/article...book_airs_in_new_notebooks_first_quarter.html

It's current technology. Multiple people can say something inaccurate, but they'll still all be wrong. Remember The Flat Earth Society? They were wrong.

Hey, you know what? ThunderBolt is old technology! Yeah, that came out last week... maybe even older than THAT! What's new technology is what we don't even have yet, like streaming movies that are the same or better than a Blu-ray disc!
 
People either have the ethics TO NOT STEAL, or they DON'T and STEAL. Do not blame companies fighting for their lives despite ridiculous profits.

Sure, if the world really was so simplistically Black & White.

Consider for the moment a slippery slope philisophical question: what's the social morality opinion if the "Theft" is not from a clearly honest person, but is a theft from a thief?

In other words, is "robbing a robber" still an utterly clear moral wrong?

The historical context here involves the MPAA, and the MPAA was founded by pirates who stole Thomas Edison's IP:

From Boldrin & Levine: Against Intellectual Monopoly, page 36:

"California was remote enough from Edison's reach that
filmmakers like Fox and Paramount could move there and,
without fear of the law, pirate his inventions."​

YMMV, but I find hypocrisy to be a far more distasteful crime.


Excellent point,
I was going to write something similar but you beat me to it both in speed and eloquence. This is probably the major point being missed at this time and one where the studios behave the same as the labels.
The QOE (Quality of Experience) of a pirated hi-bitrate move is typically better than that of a purchased BR.
"Capitalistic Forces" as you put it have to be clever too ;)

Thanks. As per the Constitution, IP protection exists "...to promote the progress of science and the useful arts...". But thanks to extensive political lobbying, the period of monopoly protection (durations) on Copyrights have been extended repeatedly, and retroactively too, which doesn't promote new works - - it protects old works.

Basically, our IP laws are now so far out of whack in terms of what is philisophically a fair and reasonable period of monopoly protection that the general public sees them as being clearly unfair and "unjust", which makes rationalization of circumvention measures more palatable. Particularly so, when the potectionistic monopolistic IP holders are very actively hindering innovation in their attempts to be self-serving.

Works have ceased passing into the Public Domain as a result of simple IP term expiration. This cessation started 18 years ago (1992) and the earliest that it might resume is 2018. Naturally, part of the problem is that Congress allows this "IP Forever" problem to perpetuate, in no small part due to corporate lobbying $$$'s for IP legislation. We are utterly sure to see yet another copyright extension bill be proposed within the next seven years, and more likely within the next five years. With its passage, watch the IP protectionism problem become worse, which will simply add more fuel to the 'Social Injustice' motivations. Just like all the others have done so before it, this is a bubble, and it will eventually burst.


-hh
 
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Yeah, it's indeed annoying. But thanks to some programs such as TMT 3, you can skip to the next chapter until you arrive at the main feature menu. I find it more easy to do that, rather than rip the whole movie. Specially when i arrive at home after work tired and want just to relax a bit, without having to worry about setting up "this" and "that".
However, it's safe to say that even though we legally acquire the rights to watch a movie, we will always be somewhat enslaved by the "System". And those "subliminal" messages such as "don't pirate this movie", or "this Blu-Ray disc is copy-protected", or "in order to watch this movie, your Blu-Ray player has to be updated", or those unnecessary spots/trailers, are there to remind us of that.

Actually, there is a spec in BR where studios can choose to make a network connection mandatory to play the disc and tie the BR disc to the player, or make it so you can't play the movie anymore (if it is pirated or on moratorium).

I wouldn't be surprised if in the future, downloaded content has all the junk in it as well...
 
Totally agree about the annoyance and irony of the unskippable BS on movies. It makes me wonder what the streaming/iTunes movies are/will be like. Are you forced to watch all that when you watch a streaming movie? (I wouldn't know, as I only watched one or two a while back, and don't recall.) If so, I hope that junk isn't charged to your bandwidth useage, for those with caps.

iTunes movies start right away...no trailers or warning pages.
 
That is possibly the most ridiculous line of garbage anyone ever posted here, and that's saying something.

Yeah, movie studios trying like hell to NOT got the way of extinct record companies ARE TO BLAME FOR PEOPLE STEALING.

People either have the ethics TO NOT STEAL, or they DON'T and STEAL. Do not blame companies fighting for their lives despite ridiculous profits. Record companies made ridiculous profits too in the 70's and they will be completely gone within a decade, and has pop music gotten a shred better? Not a bit. Beiber and Gaga. Wowie.

Stealing makes everything worse, and just WAIT to what it does to the QUALITY of motion pictures. When there's no money, like in the early 70's prior to Star Wars which was a gamechanger, movies devolve into low budget garbage.

Steal all you want, but take the responsibility along with it of destroying whatever it is you're stealing.

And let not anyone DARE blame companies trying to protect their investments FROM theft, FOR their theft. "The devil made me do it" indeed.

:apple:

Please try to hold back from being so unnecessarily dramatic and over the top. It only heightens how ridiculous your invalid response truly is.

There are 3 main reasons why people torrent, and it's usually one or the other:

1. They don't want to pay for their media.

2. They prefer DRM-free digital files versus what the studios are offering (digital downloads with DRM or physical discs).

3. They live in a foreign country where it will be a long time until a show/movie is made available to them, if ever at all.

Certainly I won't make a case for people torrenting films just to avoid shelling out the money. If you live in the States you can watch Blu-ray's for $12/month via Netflix's 1 DVD plan.

But I fall in category 2. I don't want restrictions on how I use and own the movies I want to keep and rewatch (my days of owning physical media are over). With that established I only have 2 options currently. 1. Rip from Blu-ray and encode. 2. Torrent.

The alternative is not to own any movies in HD, and I won't take that option.

This has nothing to do with ethics and everything to do with trying to figure out how I can currently own HD movies. Like I wrote before, if there were DRM free digital downloads, then I would consider buying them. But there currently isn't, so I have to move on to my next best option.

Where exactly are you coming up with this logic that studios are losing their money to torrents? Blu-ray is becoming popular. The success of devices like iPad's will only increase the amount of money towards iTunes rentals and movie sales. Netflix has 20 million subscribers. Box office receipts last year were essentially equal to what they took in for 2009.

Please don't compare the music and film industries. Music is much easier to torrent and manage because the files are smaller and the quality is often times equal to what you'd be purchasing legally via iTunes, etc. That isn't the case with films. I still have yet to download a high-res torrent equal to a Blu-ray with respects to picture quality. And then there's the whole experience of watching a film in a movie theater, which cannot and will not be replicated in any way via any sort of torrent downloads.

If anyone is being ridiculous here it's you and your insane logic. If you don't think DRM plays a role in some people opting to torrent movies, then you simply don't get it.
 
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Do not blame companies fighting for their lives despite ridiculous profits. Record companies made ridiculous profits too in the 70's and they will be completely gone within a decade, and has pop music gotten a shred better? Not a bit. Beiber and Gaga. Wowie.

You mean back when they were ********** people over like Billy Joel and John Mellencamp? Yeah, those were the days. Now, instead, we are treated to constructs the music companies create recruited from the Disney Club.

BTW - Just curious why you have not divested your Macs yet due to no BD support. You have only been talking about it for two years. :rolleyes:
 
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Where exactly are you coming up with this logic that studios are losing their money to torrents? Blu-ray is becoming popular. The success of devices like iPad's will only increase the amount of money towards iTunes rentals and movie sales. Netflix has 20 million subscribers. Box office receipts last year were essentially equal to what they took in for 2009.

Yes, but what were adjusted box-office receipts 20 years ago?

Torrents make pirating easy...and many people do not feel the need to have to watch the movie in the the theater. Unlike you, there are millions of folk out there who are happy enough to watch a movie in HD in the comfort of their own home without other moviegoers to distract and without having to pay upwards of $50 for a family to see said movie.

Torrenting ABSOLUTELY is taking loads of money from movie companies and theater owners. New rentals and ownership through BR and iTunes is a drop in the bucket compared to what movie companies used to make...even just 10 or so years ago.
 
Yes, but what were adjusted box-office receipts 20 years ago?

Torrents make pirating easy...and many people do not feel the need to have to watch the movie in the the theater. Unlike you, there are millions of folk out there who are happy enough to watch a movie in HD in the comfort of their own home without other moviegoers to distract and without having to pay upwards of $50 for a family to see said movie.

Torrenting ABSOLUTELY is taking loads of money from movie companies and theater owners. New rentals and ownership through BR and iTunes is a drop in the bucket compared to what movie companies used to make...even just 10 or so years ago.

20 years ago? I don't know. If less people are going to the movies these days (and I don't think that's the case necessarily) you can't point the blame on torrents. If anything I'd blame higher ticket prices, the low cost of Netflix memberships, and the popularity of streaming that continues to grow.

I'm also one of those people who is happy to watch a movie in HD at home. I never said I had to watch it in the theater. Please think twice before you start mouthing off with no merits. My point about the theater experience was just to point out that torrenting a movie won't equal the box office experience, where as torrenting music does not hold this restriction.

It's impossible to draw a connection between torrents and box office receipts. For starters, like I said before, receipts were virtually equal last year to what they were in 2009. People still love enjoying movies in a theater. That will not change. I feel a stronger enemy to the box office is ticket prices and the distractions that can arise in a theater (like a fellow patron looking at their cell phone constantly) versus the availability of torrents.

I do believe that torrents play a larger role when it comes to viewing movies at home. But like I said before, torrents can't match Blu-ray picture quality, so that consumer has to make a concession on that front. With the popularity of Blu-ray sales and renting growing, I do think that potential to torrent will offset a bit because people are slowly embracing Blu-ray viewing. At the same time I do think that streaming is eating away at potential disc sales too.

So do torrents affect things in general when it comes to film? Yes. But it doesn't play the role that some of you are making it out to be. And much more importantly, the studios could help their case by removing DRM versus adding it on as a step to prevent piracy. In reality it just brings more people to pirate versus preventing it.
 
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Yes, but what were adjusted box-office receipts 20 years ago?

The all time best films, based upon attendence, not Box Office gross...

Sources do vary; first citation's listing:

1 Gone with the Wind 1939
2 Star Wars Fox 1977
3 The Sound of Music 1965
4 E.T.: The Extra-Terrestrial 1982
5 The Ten Commandments 1956
6 Titanic 1997
7 Jaws 1975
8 Doctor Zhivago 1965
9 The Exorcist 1973
10 Snow White and the Seven Dwarfs 1937

and a second citation's listing:

1 Gone with the Wind
2 Snow White & the Seven Dwarfs
3 Star Wars
4 E.T.
5 101 Dalmatians (1961); was #11 on the above list
6 Bambi (1947); was #42 on the above list
7 Titanic
8 Jaws
9 The Sound of Music
10 The Ten Commandments

While they differ on specifics, their trends are quite similar: the Golden Age for the Movie Theater was circa 1965 (statistical median).


Torrenting ABSOLUTELY is taking loads of money from movie companies and theater owners.

That's certainly a hypothesis.

Of course, the Studios have been taking up to 90% of Box Office Gross from the theater owners for decades now. That's basically why the popcorn at the concession stand isn't cheap.

New rentals and ownership through BR and iTunes is a drop in the bucket compared to what movie companies used to make...even just 10 or so years ago.

From the above lists, I do note that there's not a single "Top 10" from 2000 or later. Similarly, I see that the last 30 years only has two films, even though this represents 40% of the timeline...sounds to me like a skew bias may be present.

So if we want to hypthesize that this skew bias was due to significant piracy starting somewhere in this period, then we should also be able to pick a year and see what the technology was present then that would permit it. For example, the youngest of these films was Titanic (1997) is fairly close to its midpoint ... and PCs back then were typically 233MHz, 256MB RAM (if you were lucky) and a <10GB hard disk. If you had a few hundred extra dollars, you could buy a CD-R burner (they broke the $1000 mark in 1995).

YMMV, but it sounds to me that it was far more likely that a movie pirate would try to make an analog copy via a VHS tape copy. This required dubbing it in real time, and due to a copy protection scheme of induced tracking errors also required the addition of an image stabilizer to compensate, in addition to having two VHS decks, which was something that wasn't an utterly trivial expense back then either.

For digital specifically, even if one had the iron, distribution via the Net wasn't there yet: Napster didn't exist until 1999, and BitTorrents weren't invented until 2001. As such, the underrepresentation of 'blockbuster' movie attendences for the 1977-2001 period due to illegal copies appears to be a stretch. Feel free to provide forensic technology to the contrary.


-hh
 
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but I think it's hard to argue that was the impression being given by joining the BDA board and talking about consumers waiting to "burn their own high def DVDs."

A lot of folks love to play that whole 'hypocrite' card saying 'but Apple is part of the Blu-Ray Disc Association' but they tend to miss the real point.

Apple joined because they were not opposed at the time to the notion of supporting blu-ray discs. But because they were right there on the front line they saw all the crazy licensing etc. And because of that, they developed the distaste for all of it. And their sales back up that it isn't that huge of an issue to those that want to buy their stuff.

IMO, it was the decline of music CD sales ... probably in part due to the success of ripping and piracy ... that finally opened the eyes of the record labels into realizing how unsustainable their business model had become, and thus the concession into the iTunes business model.

Definitely another factor. But that was probably what led them into the store in general, WITH DRM. Step in the direction that eventually, with additional leverage, led to no DRM

On the one hand, they're right, because part of what brought down the record labels was that the consumer valued singles more than albums (and the MP3 technology facilitated this), whereas a movie is closer to the "album" paradigm.

Part of that was actually the labels own fault. They created the system of marketing albums via radio play 'singles' which put the notion of a few key tracks into folks minds.

There will not be a non-physical (streaming or downloadable) replacement for 25-50 GB optical discs for awhile.

Define 'awhile'. We don't know what is being worked on behind closed doors. Awhile could be in six months or a year.

Or forget a perfect format. For all we know some change in the whole bandwidth structure could happen. Something that gives those that would need such connections the ability to do it, without fear of throttling etc.

I'm sure they are loyalties with blu-ray but still when you are forking out $1199-$3000 and up, Apple should suck up the extra cost.

To make a statement like that it is best if you know exactly what the licensing costs are and exactly how much 'profit' Apple is making on their machines. Remember it's not just components but also other licenses with their own costs at play. It's easy to say 'suck it up steve' when you go with the whole notion that that $1200 Macbook Pro only costs them say $800 to make if licensing etc for blu-ray is a mere $100 a machine. But what if it's $500 a machine. Are you really expecting them to sell at a lost. Of course not. Are you ready to pay even more for that laptop. Probably not. That's what Apple could be looking at. Folks are already buying their laptops in droves without blu-ray. Is it worth the risk that 50% of folks don't want to pay the added cost and won't buy for the 5% that would.

Now would it be nice if Apple could split the difference and put in the software support for native playback if we attached a drive. Sure it would be nice, but there are other ways to reach that end result so why the moaning.


and many people do not feel the need to have to watch the movie in the the theater. Unlike you, there are millions of folk out there who are happy enough to watch a movie in HD in the comfort of their own home without other moviegoers to distract and without having to pay upwards of $50 for a family to see said movie.

Interesting point you make. Particularly since some movies are starting to come out 'pre theatrical' on iTunes. Sure it's rental and it is often $20-30 and yeah it's only 720p but you can watch at home without the muss and fuss. No big name things, just the indie, Sundance type stuff that rarely goes wide but it is a start. Perhaps one day we will get to the point where you can higher dollar 'rent' something even like Batman 3 to watch on your television at home, say a month after it starts in theatres (but still an easy 3 months or more before you can buy it for home viewing). And piracy could go down a little.
 
For what I do, I doubt an i7 processor would be noticeable.

I agree, core2duos are plenty powerful for posting to forums about blu-ray being dead and finding links about the death of optical media.

BTW - Just curious why you have not divested your Macs yet due to no BD support. You have only been talking about it for two years. :rolleyes:

Just curious why you spend so much time on something you don't care about. No, scratch that. I'm not curious.
 
To make a statement like that it is best if you know exactly what the licensing costs are and exactly how much 'profit' Apple is making on their machines. Remember it's not just components but also other licenses with their own costs at play. It's easy to say 'suck it up steve' when you go with the whole notion that that $1200 Macbook Pro only costs them say $800 to make if licensing etc for blu-ray is a mere $100 a machine. But what if it's $500 a machine. Are you really expecting them to sell at a lost. Of course not. Are you ready to pay even more for that laptop. Probably not. That's what Apple could be looking at. Folks are already buying their laptops in droves without blu-ray. Is it worth the risk that 50% of folks don't want to pay the added cost and won't buy for the 5% that would.

One can pick up a Blu-Ray Reader/DVD Burner combo for $70. Another $60 for software that plays back and does other crappy tasks.

It wouldn't cost Apple anywhere near $500, and they could offer it as a Build to order option. I'm not holding my breath, though.
 
I agree, core2duos are plenty powerful for posting to forums about blu-ray being dead and finding links about the death of optical media.



Just curious why you spend so much time on something you don't care about. No, scratch that. I'm not curious.

LOL. I like a good sense of humor.

BTW - Try the mulit-quote feature. Just offering a tip before a mod merges your posts. ;)
 
I'm also not buying the argument that the cost to make OSX play Blu-ray movies is any exorbitant figure when Windows does it already, even on a Mac. It has to be based purely on driving iTunes sales.

The fact that Mac sales are up and doing well despite lack of BD movie support is just a distraction from the real issue.
 
So if we want to hypthesize that this skew bias was due to significant piracy starting somewhere in this period, then we should also be able to pick a year and see what the technology was present then that would permit it. For example, the youngest of these films was Titanic (1997) is fairly close to its midpoint ... and PCs back then were typically 233MHz, 256MB RAM (if you were lucky) and a <10GB hard disk. If you had a few hundred extra dollars, you could buy a CD-R burner (they broke the $1000 mark in 1995).

YMMV, but it sounds to me that it was far more likely that a movie pirate would try to make an analog copy via a VHS tape copy. This required dubbing it in real time, and due to a copy protection scheme of induced tracking errors also required the addition of an image stabilizer to compensate, in addition to having two VHS decks, which was something that wasn't an utterly trivial expense back then either.

Actually, by 1999/2000 on nearly every other block in Manhattan...one could find dozens of bootleg DVDs for sale for 5-10 bucks a pop. Once pirates had the technology to burn DVDs...the floodgates were opened! DVDs gave one a pristine digital, randomly accessible copy of a film that pirates never had available to them before. Then again, one still could find the pirated movie that was shot on a camcorder set up in the back of the theater too on DVD...but you see what I am getting at.:D

Even legally...one could get a fairly recent movie for sale used at Blockbuster for $10 or so on DVD starting in the late 90s. In the 'old days' one used to have movies play for several months in the theater. Heck, I recall seeing ET on Halloween and it came out at the beginning of that summer! Currently, you can have a copy after a couple of months of release...more cheaply if used...also cutting out the potential profit that would be limited to theatrical runs in the past.
 
Actually, by 1999/2000 on nearly every other block in Manhattan...one could find dozens of bootleg DVDs for sale for 5-10 bucks a pop. Once pirates had the technology to burn DVDs...the floodgates were opened! DVDs gave one a pristine digital, randomly accessible copy of a film that pirates never had available to them before. Then again, one still could find the pirated movie that was shot on a camcorder set up in the back of the theater too on DVD...but you see what I am getting at.:D

True, but the cost of the duplication equipment was well out of reach of the average consumer. Which is why before that, there were similarly pirated VHS tapes that had stabilizers to defeat their analog DRM ... and rooms full of VHS recorders, running and running and running. The pirates appreciated the modernization to digital because it reduced *their* costs too.

... and interestingly in both cases, all of the distribution was by "Sneaker Net" - - no bandwidth issues like we talk about today, despite the fact that to functionally repeat the same paradigm with BD, a BD-R now retails for under $2 per disk ... and also no IP address in order to trace such activity.


Even legally...one could get a fairly recent movie for sale used at Blockbuster for $10 or so on DVD starting in the late 90s. In the 'old days' one used to have movies play for several months in the theater. Heck, I recall seeing ET on Halloween and it came out at the beginning of that summer! Currently, you can have a copy after a couple of months of release...more cheaply if used...also cutting out the potential profit that would be limited to theatrical runs in the past.

Those cheap prices were basically because Blockbuster was stuck holding the bag on the capital cost of that physical inventory. When it was no longer renting in volume, so they needed to dump their excess inventory. Nothing unique about the product happening to be a DVD...it could have just as easily been a rental car or whatever: same business principle.

Of course, with the download business model, the inventory is both infinitely large and infinitely small at the same time, so there won't be any surplus copies that need to be discounted to get rid of.

In the meantime, Netflix continues to mail out media right to peoples' homes, for greater convenience in ripping...why even bother to go down to the Town Library anymore? :cool:


-hh
 
It looks like I am not the only one that calls optical drives old technology. LOL

You don't know your computing history -- kind of the same way the very first cars were electric, static ram is older than the hard disk. Also pretty sure your modern computer has a few transistors (1947) and capacitors (1745). In fact, optical drives are amongst the newest technology in a computer.

A lot of folks love to play that whole 'hypocrite' card saying 'but Apple is part of the Blu-Ray Disc Association' but they tend to miss the real point.

Apple joined because they were not opposed at the time to the notion of supporting blu-ray discs. But because they were right there on the front line they saw all the crazy licensing etc. And because of that, they developed the distaste for all of it. And their sales back up that it isn't that huge of an issue to those that want to buy their stuff.

Apple was clearly behind it in 2005-2006 and then things changed. You are jumping to conclusions with your theory that they saw the 'crazy licensing' and stopped due to that. If any of that were true, Apple, as an influential first-tier board member, could have (a) complained about the repressive licensing and lobbied against it, and (b) resigned from the board in protest. Jobs' transition to largest single shareholder of Disney and his status as CEO at Pixar only strengthened his hand, had he played it. At very least he could have scored a beneficial exception for Apple.

The iTunes movie store opened in late 2006, which fits very neatly into Apple's about-face.
 
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