I think what you and others are not following is that it doesn't really matter to my point if TAL was totally misled and bamboozled by Mike Daisey. All they needed to know was that Daisey is theatrical performer, not a journalist, which is obvious to anyone who's seen his stage performance.
Anyone who had
read the transcript would understand the disconnect in this claim. Look at page 19 of that transcript:
The transcript of Episode 460 of TAL said:
Mike Daisey: Well, I don’t know that I would say in a theatrical context that it isn’t true. I believe that when I perform it in a theatrical context in the theater that when people hear the story in those terms that we have different languages for what the truth means.
Ira Glass: I understand that you believe that but I think you’re kidding yourself in the way that normal people who go to see a person talk – people take it as a literal truth. I thought that the story was literally true seeing it in the theater. Brian, who’s seen other shows of yours, thought all of them were true. I saw your nuclear show, I thought that was completely true. I thought it was true because you were on stage saying ‘this happened to me.’ I took you at your word.
Mike Daisey: I think you can trust my word in the context of the theater. And how people see it -
Ira Glass: I find this to be a really hedgy answer. I think it’s OK for somebody in your position to say it isn’t all literally true, know what I mean, feel like actually it seems like it’s honest labeling, and I feel like that’s what’s actually called for at this point, is just honest labeling. Like, you make a nice show, people are moved by it, I was moved by it and if it were labeled honestly, I think everybody would react differently to it.
Nobody ever claimed that Daisey was a journalist. What happened was that several journalists attended Daisey's "Steve Jobs" show and got completely snookered by his claims. TAL did fact-checking, and some things did check out. But they failed to do any independent verification of the story through Daisey's translator. Daisey gave them a wrong name for the translator and claimed that his contact information for her was obsolete. Both of those claims were lies.
For the retraction, TAL was able to independently locate and contact the interpreter. That's when the journalists realized just how much they had been snookered by Mike Daisey.
Since they played part of his stage performance on the show, they clearly did know its origins and cannot credibly deny that knowledge now.
This statement makes absolutely no sense. If you had
read the transcript from the January episode, you would have known that they did an extensive fact-check on Daisey's claim before going with the story. Daisey lied to them -- extensively -- during that fact-checking cycle.
To have missed that he's an editorialist has to be the height of gullibility. If they did truly miss it, then they should be embarrassed. Very, very embarrassed.
One more time: if you had
read this weekend's transcript, you wouldn't have to wonder. They are clearly very embarrassed for getting snookered during the fact-checking cycle with Mike Daisey. Ira explicitly notes in hindsight: since they didn't contact the translator directly, they should have never run the story.
In my view, the real problem here is that TAL freely mixes what they call journalism with people telling stories about things, often trivial things.
It may be confusing for occasional listeners to the show. OTOH, regular listeners know that TAL has mixed soft stories with hard ones for several years.
TAL clearly knows which stories are which. Please explain: why shouldn't they be able to fact-check on the hard stories?
They were begging to get bitten, and did.
Again,
that makes absolutely no sense. How does reporting both hard and soft stories on TAL mean they were somehow "begging" for anything?
As for Daisey, I think his act is a bit of a cheap shot. I don't care for what the man is saying, but I will defend his right to say it.
The disconnect is that many of the attendees to his stage program thought he wasn't completely fabricating major segments of his story. You seem to be second-guessing the fact-checking process of TAL. You also imply that you have better skills in identifying a con man than some very smart people. That's a rather dangerous attitude.
It seems this is what separates my opinion from a lot of people here. Sad, but apparently true.
The crucial point is that it's an OPINION. Are you a professional fact-checker? Would you have been better at identifying this con man in a fact-checking cycle? We will never know.
One warning for you: the people who wind up getting conned are the ones who believe they can't be taken. Anybody and everybody can be conned, including you. Take care.
http://www.appleinsider.com/article...onn_monologue_after_admitting_falsehoods.html
So the truth does matter after all, even though it's just "theater"?
Apparently his show is now "hello... goodbye."
Good catch! But I wouldn't hold my breath waiting for @IJ_Reilly to reconcile this.
The Agony and the Ecstasy of Mike Daisey:
rapid changes were needed on the fabrication line.
I challenge this claim from the AppleInsider story:
According to the report, the Public Theater's artistic director Oskar Eustis said that the artist had "eliminated anything he doesn't feel he can stand behind" and placed a new segment at the beginning to provide "the best possible frame we could give the audience for the controversy." He also noted that the decision to make the changes was solely made by Daisey.
I bet it was Daisey's choice, but the theater would have cancelled the show if he hadn't "decided" to remove the whoppers.
I can also imagine the audience's shouting out "LIAR" repeatedly if the manufacturer had kept his original fabrication intact.