An excellent movie, beautifully told, with a first rate cast and a terrific soundtrack.
the soundtrack is absolutely sublime.
An excellent movie, beautifully told, with a first rate cast and a terrific soundtrack.
the soundtrack is absolutely sublime.
Leaving books aside (ahem) for the moment, I am rather struck by the proliferation and popularity of these CGI, crash, bang, bomb, wallop, whizz, explode, these very noisy - and visually very spectacular - movies. They tend to be stories that are full of hot air (literally and metaphorically) and smoke and not much else - and ultimately, from a narrative perspective, are often very shallow - things.
Whatever happened to movies that prioritised plot, script, cast, character, atmosphere, cinematography? Or, rather, why is that nobody seems to be prepared to watch them, or to promote them any longer?
I'll take a stab at this....
It seems that as the world advances on with more and more general crap around the world (with even more presented to us almost instantly), the less and less people want to sit for 2 hours to view a movie that is deep, that you have to sit and ponder about or use a lot of brain power to follow the story.
As life speeds up more and more, the thought of just sitting back and watching something overly fanciful and light in story is easier to swallow and to transition back to dealing with the heavy stuff that life is throwing at us.
I'll take a stab at this....
It seems that as the world advances on with more and more general crap around the world (with even more presented to us almost instantly), the less and less people want to sit for 2 hours to view a movie that is deep, that you have to sit and ponder about or use a lot of brain power to follow the story.
As life speeds up more and more, the thought of just sitting back and watching something overly fanciful and light in story is easier to swallow and to transition back to dealing with the heavy stuff that life is throwing at us.
Alas, I would add to this sad state of affairs, the very prophetic statement of a Disney animation executive who said “People say ‘It’s all about the story,'” Hendrickson said. “When you’re making tentpole films, bull..."
I'll add my own thing: I love escaping through genre movies and I much prefer doing so with older films (60s, 70s and 80s) from other cultures partially because you can see all the hard work that goes into making those characters and that story come alive. If there's a story and great characters involved, wonderful. I like to be utterly transported with the characters, but even little girl comic book reading me is getting a little burnt on most of these Hollywood tentpoles because the characterization is left on the cutting room floor. That makes my heart ache just a bit.
And while I may not be looking for deep in my films, a few of the martial arts movies I've watched this past year have proven to be very deep and thought provoking. To the point of making me address my own stuff in real life. I've seen two or three since late April that really helped me on emotional levels and/or echoed I was doing the right thing by myself.
It's very sad, Hollywood no longer takes the time to make stories with people you want to know more about regardless of what type of film it is.
@Scepticalscribe - deplorable love of spaghetti westerns? Schlock Baby here says, Naah aaah. They're everything these current tentpoles are not: full of great characters and story.
Fair enough, and thank you for taking the time to frame a thoughtful response.
Perhaps it is a generational thing, but I find myself bored watching much of what passes for entertainment these days (and the only time I seem to catch this stuff is on long distance flights, as I would never dream of seeing them in the cinema).
In fact, if I am not made to think, - or challenged or delighted in some way - in general - though there are exceptions, my deplorable love of spaghetti westerns being one - I consider watching a movie a waste of my time.
Well, it is my - almost guilty pleasure because almost all of the rest of my life takes place on a sort of 'high cultural' plane, and politically - I wasn't a million miles from holding pacifist opinions, so those who thought they knew me tend to be somewhat perplexed as this visceral reaction of savage pleasure.
But then, as the wonderful American poet Walt Whitman observed "Do I contradict myself? Very well, I contradict myself; I am large, I contain multitudes."
Anyway, I love spaghetti westerns.
I love the Baroque violence, the characters (Lee van Cleef in A Few Dollars More and in Sabata is an especial favourite), the stirring music. Above all, I thrill to the natural light, that harsh Goyaesque pattern of stark light and deep shadow mirroring the morality tales and the life and death duality of the movies.
Ah, but they are high cultural plane in your heart. The way you describe what these movies mean to you reads no different to me than your wonderfully eloquent posts. It simply means there are many more facets to you than one would guess.
And Lee Van Cleef rules.![]()
Thank you for your very kind words.
What are your thoughts of Crouching Tiger Hidden Dragon? The best student I ever taught thought it superb.
Oh, yes, agreed, absolutely, Lee van Cleef rules.
That final duel scene in For A Few Dollars More is one I could watch again and again. Cinematic perfection, flawlessly choreographed, stunning cinematography, the haunting music of Morricone to the chimes of the pocket watch, the composition and timing are sublime.
As are the emotions, because you have become invested in these characters, so what they do - and, tellingly - why they do it - has come to matter.
Thus, you can see the emotions conveyed by van Cleef (as Colonel Mortimer, his heartbroken yet dignified despair coupled with courage when he realises he won't get to the gun that had been shot out of his hand in time - all conveyed with a glance and grimly compressed lips and an unyielding stance), Gian Maria Volontè's stunning and sadistic psychopath, murdering, raping, robbing, maiming, inflicting pain everywhere he goes yet damaging himself irrevocably as he does so and unable to understand why inflicting pain on others won't rid him of his demons, and those mute - yet eloquent - emotions also conveyed by Clint Eastwood (Moncho) - shaking his head wordlessly as he covers Volontè (Indio) with his rifle while moving to give van Cleef support, make this a superb climax to that movie.
Claps.
See what I mean about how beautifully you describe these films? And I agree with every word.For a Few Dollars More is my favorite of those films because of Van Cleef, Volonte and Eastwood.
Gian Maria Volonte was an amazing actor. If you've never seen Investigation of a Citizen Above Suspicion (stop me please if you have), it's a perverse satire, but superb (won the Best Foreign language Oscar in 1970 or 1971.) Criterion finally released it in 2014.
I thought Crouching Tiger, Hidden Dragon was wonderful upon first viewing, but now that I have seen many films which inspired it I no longer think so. For modern Chinese swordplay films, I do enjoy Yimou's House of Flying Daggers (which is lovely on every level, I think you'd enjoy that) and the rather somber Curse of the Golden Flower (Crouching Tiger's Chow Yun-Fat plays one heck of a nasty Emperor), but I have to be in the right frame of mind to watch that.
Ah, re the movie Investigation of a Citizen Above Suspicion I must admit that I have never actually seen it - although as someone who loves the much of Ennio Morricone, I have some of the soundtrack music on CDs, and hence, iPods.
Will most certainly keep an eye out for it, as I love those subtle and stylish European movies.
Thank you, also, for your recommendations re Chinese sword play movies.
Not at all what I expected. But, I'd watch it again, it was worth my timeHow was it?
An insane general triggers a path to nuclear holocaust that a war room full of politicians and generals frantically try to stop.
Another old favorite tonight...
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)
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Warcraft (2016)- As a once Warcraft and World Of Warcraft player, I can say this movie was ok, a lot of familiar settings and names. A decent story of how Orcs originally came to Azeroth, hybrid live action/massive CGI, lots of action, good animation, but nothing that gave me chills.
I saw it on Friday, mindless fun. I'm not a Warcraft player so I didn't catch all the inside stuff, but as a fantasy movie it was entertaining.I thought the movie was pretty good.
Thought Warcraft Flopped? Nope, It Changed Blockbusters forever- Wired Magazine:
OVER THE WEEKEND, Legendary Pictures’ Warcraft opened in the United States with just over $24 million at the box office. For a summer blockbuster that cost an estimated $160 million to make, that’s a flop any way you look at it; in fact, it made less in its opening weekend than recent summer flops Battleship, The Lone Ranger, even Fantastic Four.
But in China, Warcraft isn’t just doing better than it did in the U.S.—it’s breaking records. In five days, the film raked in $156 million, beating out last year’s Furious 7 to become the country’s highest-grossing opening for a foreign-produced film. To put that in the context of last year’s undisputed global hit: in China, Warcraft made more in five days than Star Wars Episode VII: The Force Awakens did in its entire theatrical run ($124 million).