Been a little ill today so it's been a lying on the couch watching films kind of day.
Gary Ross: Ocean's Eight (2018)
Saw this popped up on Netflix, and having liked the previous ones I watched this one as well. It wasn't bad, and this being it's own film with some actual backstory instead of just being a straight reimagining was a nice surprise. The cast was mostly good, and the script with plot holes and all was OK. Nothing to write home about, but decent enough entertainment for it's run time.
Lucia Aniello: Rough Night (2017)
This wasn't good. There were some good bits in it, but as a whole a pretty boring film. The "Bachelor(ette) party gone wrong" trope has been done so many times before, and with much better results than what were achieved here. The cast itself wasn't necessarily bad, but the script was all sorts of problematic. For the (probably) best film of this variety I would recommend the absolutely batcrap insane Very Bad Things (1998) directed by Peter Berg. Which I need to rewatch again.
Gaspar Noé: Climax (2018)
I've always liked Noé's films. Liked, as in I've always been fascinated, uneasy, sometimes even overwhelmed while watching them for the first time, never to return to them after that. This was probably the "tamest" flim of his I've seen, but still there are some sequences, or rather "a sequence" that made me pretty uncomfortable while watching. The soundtrack is really great, and the dancers starring in the film are really talented. I've always liked to look at good dancers do their thing, perhaps because even while otherwise musically inclined I myself am still quite possibly the worst dancer on the planet. And I've got references to back that up.
Anyway, I liked this one. It wasn't like watching a conventional film, more like witnessing, or even having a bad trip due to some asshat spiking the punch at a party, but still, I liked the film, and will probably never watch it again.
Gary Ross: Ocean's Eight (2018)
Saw this popped up on Netflix, and having liked the previous ones I watched this one as well. It wasn't bad, and this being it's own film with some actual backstory instead of just being a straight reimagining was a nice surprise. The cast was mostly good, and the script with plot holes and all was OK. Nothing to write home about, but decent enough entertainment for it's run time.
Lucia Aniello: Rough Night (2017)
This wasn't good. There were some good bits in it, but as a whole a pretty boring film. The "Bachelor(ette) party gone wrong" trope has been done so many times before, and with much better results than what were achieved here. The cast itself wasn't necessarily bad, but the script was all sorts of problematic. For the (probably) best film of this variety I would recommend the absolutely batcrap insane Very Bad Things (1998) directed by Peter Berg. Which I need to rewatch again.
Gaspar Noé: Climax (2018)
I've always liked Noé's films. Liked, as in I've always been fascinated, uneasy, sometimes even overwhelmed while watching them for the first time, never to return to them after that. This was probably the "tamest" flim of his I've seen, but still there are some sequences, or rather "a sequence" that made me pretty uncomfortable while watching. The soundtrack is really great, and the dancers starring in the film are really talented. I've always liked to look at good dancers do their thing, perhaps because even while otherwise musically inclined I myself am still quite possibly the worst dancer on the planet. And I've got references to back that up.
Anyway, I liked this one. It wasn't like watching a conventional film, more like witnessing, or even having a bad trip due to some asshat spiking the punch at a party, but still, I liked the film, and will probably never watch it again.