It’s only right..
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Apparently Michael Myers just can’t die after 40 years since the OG film in 1978, 😁. (As the next film is expected for fall 2021.)
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It’s only right..
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A Dark Song(2016)
An Irish occult horror movie. More indie than Hollywood, in a good way. (The occult aspects in the movie, according to some reviews, were well portrayed.)
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I’ve only watched the original and that’s how it will stay lol. Sounds like they are milking that franchise.Apparently Michael Myers just can’t die after 40 years since the OG film in 1978,. (As the next film is expected for fall 2021.)
I’ve only watched the original and that’s how it will stay lol. Sounds like they are milking that franchise.
To your list I add Sir Lawrence Olivier.
And Toshiro Mifune representing East Asia since your list is overwhelmingly American-British-centric.
They are. There’s been quite a few different spinoffs.
I’ve only watched the original and that’s how it will stay lol. Sounds like they are milking that franchise.
The appearance of being one shot is intriguing and a novelty. Can it make for a better story? I’m thinking it has its uses while limiting other possibilities in story telling.
I’ve gone against the general Halloween theme and started watching this.
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The appearance of being one shot is intriguing and a novelty. Can it make for a better story? I’m thinking it has its uses while limiting other possibilities in story telling. I have been very impressed with the one shot as a single scene in War of the Worlds (2005), the van escape scene where the camera flies around and in and out of a van where Tom Cruise is hustling his kids out of Newark while having a conversation with them.
The other technique which probably does not qualifiy as a one shot, but is still impressive, in Matrix Reloaded (2004) where a camera flys around a highway full of vehicles, between their tires, centered on a car chase. It makes you question what part of the scene is practical vs CGI effects, although many of the effects are obviously CGI, not that they are bad effects, but impossible to be practical effects.
On the topic of one-shot sequences, I recall there being a rather intense battle one in the middle of Children of Men that kind of stuck in my mind.The "one-shot" technique has definite uses. I think in 1917 the idea was to give some sense of the hectic, constant strain of living in a combat zone. But it obviously begins to fall apart when telling a story that is supposed to take place over 24 hours or so. At the very beginning of the movie you see actors relaxing in a peaceful quiet meadow. They hop on a truck, chat for a couple of minutes, and then hop out in the middle of a war zone with shells bursting overhead. Did that help the story? Or was it just a gimmick?
One of the best examples of the one-shot technique was the shot at the beginning of Goodfellas, as Ray Liotta walks into the Copacabana, walking through the kitchen, greeting and glad-handing people along the way. That worked, because it portrayed - in a very realistic manner - the life of a mobbed-guy, and the way his contacts worked at literally every level of society. The director didn't ask the audience to suspend belief to get there.
The camera techniques you mention in Matrix Reloaded I think fall into the latter category. They work there because they tell the story better. And you didn't get the feeling that the audience was being asked to play along with a game.
The Mist (2007) directed by Frank Darabont. Lovecrafian movies are hard to make due to their necessary pulp foolishness, but this movie is able to gets it. The ending is much better than the book's.
Just rewatched this last night (it was technically in our horror/Halloween queue, but that spilled over into November)
It's pretty fantastic, a favorite of ours, apparently Darabont told the studio, "Here's the script, I'll shoot this, but only under the condition the ending is not changed in any way ...". Word is that King said something to the effect of, "That's the ending I wish I had written".
There's a ton of fun easter eggs in this movie too, for horror/King/Darabont fans (names, props, actors from various King/Darabont productions, even a neat, *ahem*, __thing__ about some artwork shown)
The deluxe BD package has the movie (with all the expected extras and whatnot), but also, the entire movie remastered in B&W and it's amazing - it's both more old school nosologic (feeling like a 1950/60s throwback) while also being darker, having more of a sense of pending doom, and the F/X are more convincing.