Originally posted by erockerboy
I'm sick to death of reading questions of this ilk (and equally sick of my compulsive need to reply to them 😀 )... but nonetheless:
I regularly MAX OUT my beloved dualie 1GHz G4 with massive multitrack audio sessions in ProTools and Digital Performer. Running 70+ tracks of 24bit audio, along with DSP-hungry plug-ins and soft instruments, is a daily occurrence for myself and my peers in the audio post/music production/film scoring side of things. I long for a day when my trusty Mac G5 (G6? G7?) will be able to handle everything I can conceivably throw at it, with ease: high audio track counts, convolution reverbs, unlimited synth and sampler instantiations, multiple streams of sync'ed video playback, etc. With the G5 era we are only just beginning to approach the kind of horsepower that will (hopefully) allow me to streamline my massive audio rig and begin to eliminate many of my outboard synths/samplers/processors... but trust me, I will use every last ounce of horsepower I can get my little paws on, and I assure you that I am speaking for a sizable chunk of the Mac pro audio/music community when I say this.
Now 'scuze me while I go play a ridiculously high-FPS game of Quake. 😀