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Has anyone considered that it is possible that models with 256 gb and up have more memory to allow ProRes in 4K and 128 GB models don't have that. This might be a way for Apple to try to keep the same starting price of the iPhones as last year. We already know that Pro models have 5 core GPU vs 4 core on non Pro eventhough they got the same technically CPU - A15. If that is the case than I am glad that Apple did it this way. The 5 people that new ProRes should be able to afford higher tier storage while the rest of the population who don't give crap about ProRes can enjoy the same starting price. The complains are unreasonable about this, it is like someone buying $100k car and complaining that now they need to put premium gas that cost a buck more per gallon. If 4K ProRes is so important, just get the upgraded storage and be done with it.
 
That's also not a problem if you use the phone to make money. It's a business expense.
Of the 500 people I know with iPhones. Not one uses it for film making. Small sample size but I would be adamant that the stat would be extremely low on that one.

A common sense suggestion that will be met with derision, wailing and gnashing of teeth on this forum. Be prepared.

It’s really not common sense if you are agreeable that people generally using their iPhones for film making. I can’t believe I had to say that out loud. This is very few people. Maybe the guys in the commercial. And bald people.
 
I figured that. But is this going to be locked in at a specific ProRes rate or can we select from proxy up to HQ? It would be helpful to know so an actual data rate can be used to calculate file sizes.
I don't think we know that yet. Anxiously waiting to hear official info.
 
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The fact that both the latest iPad Air and the just announced iPad mini both get high speed wired data transfer through USB-C before any iPhones is just beyond my comprehension.

And no, don’t @ me about Lightning being sufficient -They just announced 4K Pro Res cameras in a 1tb iPhone priced at $1599 but it’s the new cutesy $399 iPad mini that gets a high speed USB-C for its singular camera and 64gb internal storage.. because only the fastest transfer speeds and wide compatibility with all kinds of USB-C drives and devices will suffice for those 64GB?

Wow.
I thought I had seen somewhere that the reason they’re sticking to Lightning was the IP rating. The usb-c isn’t as sealed as their lightning connection is what I remember.

That being said, every android manufacturer has been using usb-c for years and they’ve had similar, if not the same, performance in water. I think the consensus on Made for iPhone royalties is probably the real reason.
 
It’s definitely space related, not speed related. 128GB is not even enough for me to restore my iCloud backup so space for those 4K video is going to be crazy.

Poppycock. The 8GB iPhone 4 could shoot HD Video.

Can lightning ports be USB 3.0? I thought that was one of the reasons the iPad went to USB-C, so it could support 3.0.

Yes, the first (or first and second, I forget which) iPad Pros that still had Lightning ports had USB 3.0 Lightning ports. As far as I am aware, those are the only devices ever made that support USB 3.0 over Lightning.
 
Are these lighting ports still USB 2.0? Would be super annoying to transfer 1TB worth of stuff using 2.0
Even more so when trying to upload to icloud when this does not allow for large transfers at once. And then how long does it take to see it on my ATV4K..
 
And why would it be okay for the 256GB model? If you can only do like 10minutes of video on the 128Gb model, the 256GB model will only give you like 20 minutes. If the recording capacity is the excuse, then they should only enable this on the 512Gb model or larger.
If it is a throughput issue then the 256GB and above models have enough NAND chips to accommodate ProRes and the 128GB does not have the requisite throughput needed.

Bottom line, if you are actually serious about ProRes then buying the larger sized iPhone is not a big deal. All this wailing and gnashing of teeth is from people here who are never going to use the feature anyways, especially if they can only afford the 128GB. Simply use HEVC.
 
that could be avoided by less-than-ridiculous prices

Not ridiculous. They're well-priced as evidenced by the millions of repeat Apple customers opening their wallets and purchasing the almost 600,000 iPhones (on the average) manufactured every day of the year.

Simply pay for the storage that you need.
 
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My sole dissapointment is that base model is not 256GB. Android flagships has had 256GB base model for at least 2-3 years already.
Knowing Apple, it will be standard within the next 5 years, for the high end phones at least. Sadly
 
Correct me if I've wrong (and there's a high probability of that), but didn't Apple under Jobs' reign operate under the core belief that each product should be easy to explain, easy to use and appeal to the average Joe? How many average Joe's see 4K ProRes and understand it, let alone want it? Seems like Apple is trying to sell something that very few people asked for.
That’s what the regular 13 non Pro phones are for. The Pro models should have started at 256 GB. It’s weird to have a feature that can’t be used at the supplied storage level.
 
One question I have is if ProRes video will go straight to the iCloud Photo Library or if you'll be able to store them separately and then transfer to your computer via USB or WiFi.

Waiting for huge ProRes files to upload to iCloud over most Internet connections will be an unpleasant experience. ProRes really should be treated differently than other random video taken with the phone.

Valid question. Hopefully the better 5G helps offset this...

I'm also expecting to not be able to shoot in Cinematic Mode while shooting in ProRes... but hopefully I'm wrong about that.

I want them to talk more in depth about the "gotchas" with ProRes before I pre-order- if ProRes is easy to use and transfer, and allows use of all modes (including cinematic) I would likely shoot with ProRes more (I am a videographer so this would be perfect). But if I can only shoot ProRes in certain modes and conditions I may not use it AS much.
 
Apple has truly lost it they droned on about how important Type-C was on the iPad mini to interact with devices and do large data transfers. But it has a weak sauce camera....

Then they talk about high quality massive data usage around filming with iPhone 13 Pro. USB 2.0 transfer rates no Type-C.

"Pro"
Are you pointing out logical discrepancies??? Your lack of faith is disturbing the Force...

"humor" aside I do recall that lighting->USB-C does support higher speeds... but 3.0, not 3.1 Gen 1 or 2.
 
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If it is a throughput issue then the 256GB and above models have enough NAND chips to accommodate ProRes and the 128GB does not have the requisite throughput needed.

Bottom line, if you are actually serious about ProRes then buying the larger sized iPhone is not a big deal. All this wailing and gnashing of teeth is from people here who are never going to use the feature anyways, especially if they can only afford the 128GB. Simply use HEVC.
I'm sure most people here is aware of that, but it's about the principle. This is the first time Apple put software limitation on the same model due to a storage difference. Considering the price point and "Pro" intention, it seems shortsighted.
 
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Apple leaving Pro users hanging with no USB-C transfer rates and no 256 GB base storage for the Pro model to use the Prores fully. No improved Airdrop to compensate. Very disappointing. But they wanted to claim no price increase. Hopefully this gets cleaned up for iPhone 14.
 
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4k is 4k. I’d say it’s more for IOPS.
That is completely wrong. There are so many variations of 4K ranging from toy 4K to crazy 4K at TB's per minute based on the bitrate recorded at. Even staying in ProRes there is everything from ProRes Proxy at 35 Mbits/s to ProRes 4444XQ at 3318 Mbits/s all based on 3840x2160 (UHD) and 3539 Mbits/s 4096 × 2160 (DCI 4K)
 
One must consider one’s ecosystem before deciding on whether ProRes is a good idea.

Storage won’t be on iCloud. Requires traditional backing up on two hard drives in two locations for the important stuff.
Editing won’t be fun on an old machine. Requires investment there including possible SSD space depending on your editor and whether it can run well with proxy files.
Completely true. Important media backed up on 2 RAID 10 (1+0) stored in 2 different places. You would need to edit on ProRes Proxy (145 GB/hr) then up convert or batch digitize the finished EDL at the higher rate. At work we use HP Z8 workstations (build cost $26K) and MacPro (build cost in 2012 $13k, new ones just ordered $21K) going to a media server via 10GB/s optical fiber
 
It’s just such a weird caveat to have. “These are our most pro iPhones ever. Except the 128gb. That one is semi-pro.”
That sounds like the same argument that everybody was flipping out for the new MacPro......

everybody: we want a new pro machine
Apple: okay, here...a pro machine...competes with the HP Z8 Workstation
everybody: that's too expensive...are you crazy? This thing is not for making money
Apple: then you're not really a "pro"
 
ProRes was engineered in the mid'00s for PowerPC Macs editing 1080p and 2k. It is purposefully designed to require very little overhead to encode and decode. I'm pretty sure an iPhone 6s would have no issues recording ProRes if it were not for the storage capacity/speed.



The thing is, RAW and formats like ProRes are meant to retain more of the original information coming from the camera sensor to give you the flexibility in post. There is only so far you can push the physics on these tiny lenses and little smart phone sensors no matter how good they are getting. A very significant part of the amazing quality these cameras have picked up in the past few years is coming from computational augmentation of the image. I'm uncertain what is to be gained that couldn't be achieved via an All-I 10bit HEVC mode with a high bitrate. Unless we're getting ProRes RAW. Which I'm sure isn't the case because: 1) the marketing would mention "RAW Video" at least 160 times, 2) a RAW format would mean all that computational magic that's done realtime in the SoC would have to happen during playback/editing and that would take a lot of extra compute power on that end of the process.
ProRes is not a raw video format, its an uncompressed format that gives you more options in post production. As I said, I'm a film producer, and we've used past generation iPhones in a pinch. Prores on a phone is actually a big deal.
 
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